Tag Archives: mural

Mural on the Mesa Contemporary Arts Museum

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In the spring of 2016, I lived briefly in Mesa, Arizona while working nearby. One afternoon after my money job was over for the day, I went downtown to explore the public art. I saw art depicting a Big Pink Chair, a girl reading a book, and a toddler feeding ducks. I really appreciate public art and the way it levels the playing field by allowing everyone from all socio-economic levels to experience and enjoy what others have created.

As I passed the Mesa Arts Center, I saw a huge mural on the wall of the Center’s Mesa Contemporary Arts Museum. I didn’t realize at the time that the mural was brand spanking new.

When I did some research on the mural, I got a lot of information about it from a Phoenix New Times article by Lynn Trimble called “El Mac on His New Two-Story Mural at Mesa Arts Center, Inspiration, and Collaboration.”

  • The mural was painted by El Mac, “one of the world’s most noted street artists” who has ties to the Phoenix area but now lives in LA.
  • The woman depicted in the mural is an old friend of the artist.
  • “The mural was done completely with aerosol enamel paint, and a specific type of cap that helps give his work its characteristic pattern of circles and lines” and was completed in March of 2016.

I love the gentle beauty of this mural and the way the color of the rose pops against the dark contours of the woman’s features. I love seeing a woman of color (the model is originally from Guatamala) looming larger-than-life over museum patrons. It’s a lovely piece, and I think it adds some street cred to a part of town which could easily be mistaken to be primarily for white folks.

I took the photos in this post.

 

The Women’s Building

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One of my favorite places in San Francisco’s Mission District is The Women’s Building (known in Spanish as Edificio de Mujeres). I love its bright colors. I love the mural painted upon it showing strong and talented women from a variety of cultures. I love that it’s a community center owned by women.

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I don’t remember if I visited The Women’s Building on my first trip to San Francisco or if I discovered it later. I do know I was glad to see it down 18th Street on the recent autumn morning I explored Valencia Street.  (The Women’s Building is located at 3543 18th Street.) After eating a delicious vegetarian burrito at Taqueria El Buen Sabor (699 Valencia Street), I strolled over to The Women’s Building. img_7302

According to http://womensbuilding.org/about/mission-history/,

In 1971, a group of visionary women founded San Francisco’s Women’s Centers to incubate emerging Bay Area women’s projects. Having outgrown their tiny office on Brady Street, the group bought Dovre Hall in 1979, a former Sons of Norway meeting hall and neighborhood bar. The women transformed the four-story building into the first woman-owned and operated community center in the country: The Women’s Building.

Fifteen years later in 1984, seven muralists created one of the largest murals in San Francisco: MaestraPeace Mural. This magnificent piece of public art, which covers two sides of our building and reaches five stories high, depicts the power and contributions of women throughout history and the world.

img_7299In 1999, TWB underwent an extensive renovation and seismic retrofitting, reopening in September 2000.

The Women’s Building is a women-led community space that advocates self-determination, gender equality and social justice.

Each year we welcome over 25,000 women and their families, connecting them with social services, community involvement opportunities, the arts, wellness and educational events.

According to https://en.wikipedia.org/wiki/The_Women%27s_Building,

The structure was built in 1910 and was originally known as Turn Hall because it was part of the Turnverein exercise movement.[2]

In the first year of operation, the Women’s Building was targeted by two attacks: an arson fire that caused $50,000 worth of damage,[4] and a pipe bomb set off on the front steps of the building.[5]

In 1997, the Women’s Building underwent a major renovation prompted by mandatory seismic img_7301retrofitting. In the course of that effort, it evicted the Dovre Club, a bar that had been in the corner of the building on 18th and Lapidge Streets since 1979.[6] The original owner of that bar had an oral agreement with the Women’s Center that the bar could stay in place during his lifetime; after his death in 1997, the bar made an effort to stay in place but ultimately relocated.[4]

I think if I lived in San Francisco, I would utilize the services offered in The Women’s Building. However, since I’m only a visitor, what I like best about the building is the mural.

The Women’s Building website (http://womensbuilding.org/the-mural/) says,

MaestraPeace Mural was painted in 1994 by a “Who’s Who” of Bay Area muralists: Juana Alicia, Miranda Bergman, Edythe Boone, Susan Kelk Cervantes, Meera Desai, img_7306Yvonne Littleton and Irene Perez.

One of San Francisco’s largest and best known murals, MaestraPeace and serves as a visual testament to the courageous contributions of women through time and around the world.

The mural was fully cleaned and restored in 2012 by the original muralists with the assistance of a new generation of muralistas.

Wikipedia, on the aforementioned website, adds,

the mural… covers both the outside of The Women’s Building as well as the interior entrance hall and stairway.[7] It features images of feminine icons from history and fiction, and the names of more than 600 women written in calligraphy.[8] img_7309

I spent most of my visit to The Women’s Building trying to get decent photos of the fabulous mural. It wasn’t easy for me to capture such large expanses of wall with my little digital camera. To get a much better idea of how stunning the mural is, check out The Women’s Building website, or, even better, take a trip to San Francisco and see it in person.

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I took this photo of the front of The Women’s Building while standing across 18th Street.

I took all of the photos in this post.

 

Night of the Lepus

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As I mentioned in yesterday’s post, this mural is painted on the side of the building housing Roadrunner Java in Ajo, Arizona. (Roadrunner Java is located at 932 North 2nd Avenue.  North 2nd Avenue is the same thing as Highway 85, so this cafe is on the main drag, on the east side of the street.) I was told the mural was painted by Ajo muralist Mike “DaWolf” Baker.

According to the mural Night of the Lepus was filmed in Ajo.

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What in the world is Night of the Lepus? you may ask. You may also wonder, Why do those rabbits look so mean?

According to https://en.wikipedia.org/wiki/Night_of_the_Lepus,

Night of the Lepus (also known as Rabbits) is a 1972 American science fiction horror film based on the 1964 science fiction novel The Year of the Angry Rabbit.

Released theatrically on July 26, 1972, it focuses on members of a small Arizona town who battle thousands of mutated, carnivorous killer rabbits. The film was the first science fiction work for producer A. C. Lyles and for director William F. Claxton, both of whom came from Western film backgrounds. Character actors from Westerns the pair had worked on were brought in to star in the Night of the Lepus, including Stuart Whitman, Janet Leigh, Rory Calhoun, and DeForest Kelley.

Shot in Arizona, Night of the Lepus used domestic rabbits filmed against miniature models and actors dressed in rabbit costumes for the attack scenes.

Ok, wait. Could we read the last part of that last sentence again?

Night of the Lepus used domestic rabbits filmed against miniature models and actors dressed in rabbit costumes for the attack scenes.

The aforementioned Wikipedia page explains in a bit more detail:

To depict the rabbit attacks, a combination of techniques were used. For some scenes, the rabbits were filmed in close-up stomping on miniature structures in slow motion.[6] For attack scenes, they had ketchup smeared on their faces.[1] For other scenes, human actors were shown wearing rabbit costumes.[1][2][6]

So this movie tried to scare people with regular pet bunnies moving among (and probably knocking over) miniature models? And to make them scarier, the bunnies were filmed with ketchup smeared on their faces! (Oh, that’s scary!) And then when they needed the bunnies to be really, really scary, they put human people in rabbit costumes? I haven’t seen one minute of this movie, but I’m already laughing.

Here’s more from the Wikipedia page:

Originally titled Rabbits, production company MGM renamed the film, using the Latin name for “rabbit” in hopes of keeping the audience from presuming the animals would be non-menacing. To further prevent the audience from thinking of cuddly bunnies in relation to the film, the theatrical posters featured no rabbits, instead displaying only eyes and referencing unnamed “creatures”. The trailers showed no critters, and the press releases only mentioned that the film had “mutants.” The only clue given to the audience was the required acknowledgment on the poster to Braddon’s novel. However, some Night of the Lepus promoters gave away the secret by sending out souvenirs decorated with rabbit’s foot designs.[2]

I was not surprised to learn that this film received a lot of criticism. It seems like John Kenneth Muir summed it up pretty well in Horror Films of the 1970s. He

felt Night of the Lepus was one of the “most ridiculous horror film[s] ever conceived”, with a poor blend of horror and environmentalism that resulted in it being more of a comedy. He criticized the “primitive special effects”, badly done editing and laughable dialogue, and noted that while the rabbits and actors are rarely seen on screen together, the filmmakers used obviously fake rabbit paws and people in rabbit suits for the few scenes calling for human/rabbit interactions. Like most critics, he pointed out that the rabbits were “cute bunnies” rather than “fanged, disease-ridden mutated creatures”, but he felt the actors did the best they could with the material, and praised them for “[keeping] straight faces as they heroically stand against the onslaught of the bunnies”.[16]

Sounds like the mural in Ajo is more artistic and more entertaining than the movie that inspired it.

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I do wish someone would remove the bush blocking the view of the mural. The bush is distracting and makes the building seem abandoned.

I took all of the photos in this post.

Ajo Copper News Mural

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I recently wrote about murals on the walls of an alley in Ajo, Arizona.  In the comments of that post, one of my readers asked me,

Did you happen to see the mural on the bookstore?

Why yes. Yes I did. You can see a photo I took of the mural at the top if this page.

The building with the mural on its side does not only house a bookstore. It’s an art gallery as well, and the home of the Ajo Copper News,

 …a weekly newspaper. It has been serving the communities of Ajo, Why, and Lukeville in Western Pima County since 1916.

Although I did browse in the bookstore (and bought fantastic, reasonably priced postcards with lovely color images of Ajo and Why), I didn’t really know anything about the mural. It was cool. I looked at it. I took a photo. I moved on.

While writing this post, I found more information about the mural on the website of Rocky Point Times newspaper (our of Puerto Peñasco, Mexico). The says,

When the current location of the newspaper and bookstore was purchased, it was the goal of Hop David, (the artist, also the publisher) to have a mural on the front of the building. That dream came to fruition, when in 2012, Hop completed the current mural with the help of another local artist, Mike “DaWolf” Baker as part of ASAP (Ajo Street Art Project).

My reader told me,

Someone saw me ogling and was kind enough to point me to the footprints on the sidewalk that give the oblique (and intended) view of the whole thing.

No kind person saw me ogling and pointed me to footprints! I had not idea. I never saw any footprints, so I guess I looked at the mural all wrong.

The aforementioned article in Rocky Point Times says the mural

is best viewed from the painted footprints on the corner of Pajaro [Street] and Highway 85 by the tiny park in order to get the complete effect of the trick-perspective mural.

I guess I am going to have to go back and take a better look.

I took the photo in this post.

The Walls of Phoenix

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I was going to sell jewelry and shiny rocks in a parking lot craft market near Roosevelt Row during First Friday. I arrived early, so I walked around a bit and took some photos of the murals painted in the area.

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This mural is on the wall of a very small parking area. If a car had been parked in this spot, I’d have never seen this mural, much less gotten a photo of it.

The paintings in the next several photos are on a building on 4th Street, almost on the corner of Roosevelt. The actual corner of 4th Street and Roosevelt is a vacant lot, so this mural is visible from Roosevelt Street.

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This is about one-third of the full mural.

 

This is a detail of the detail.

This is a detail of the detail. I really like the Day of the Dead-meets-flapper look, although I’m not sure how a skull could possibly have lips and eyelashes.

 

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And how could a skull have eyeballs? I do like this dapper skull guy.

The other two thirds of the mural has a different vibe, more ethereal and dreamy.

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I found out online that this portion of the mural was painted by Tato Caraveo. http://www.thelostleaf.org/Murals.aspx

 

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This portion of the mural is also by Tato Caraveo. To see him working on it, go to http://www.thelostleaf.org/Murals.aspx and scroll down.

 

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I especially like this cat and its shadow.

The next piece has more of a graffiti vibe to it. It was painted just under the rafters of what seems to be an abandoned house.

I believe I took this photo between 4th and 5th streets on Garfield, but maybe it was between 5th and 6th Streets.

I believe I took this photo of cow graffiti between 4th and 5th Streets on Garfield, but maybe it was between 5th and 6th Streets…definitely on Garfield though.

The last piece is at 3rd Street and Roosevelt, and I took the photo the next afternoon when I was out and about with Nolagirl.

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This mural was painted by Lauren Lee, and it’s called Three Birds.

The building this mural is on is scheduled for demolition. By the time you read this post, this mural will probably be forever gone.

(I took all the photos in this post.)