Tag Archives: Merry Pranksters

Mar3

RTArt Camp (Part 2)

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What we have here is one of the early steps of preparing wool for the felted shower scrubby.

If you haven’t read the first part of my report on the RTArt Camp, you can find it here.

On the first Friday of the RTR, the RTArt Camp hosted its first workshop. A woman showed interested folks how to felt wool on a bar of soap to create a shower scrubby. Eight or so people participated, and everyone seemed to have fun.

The following day saw probably the most popular activity of the art camp. An artist staying in a motorhome with her husband just past Coyote Sue’s rig taught people how to do acrylic pour painting on canvas. More than a dozen people participated that day, and the activity was so well-received, the artist taught the pouring technique again later in the week.

On Sunday, I led the first of two activities—finger painting! Ever since I’d agreed to help with the RTArt Camp, I’d wanted to offer finger painting. I thought it would be a good activity for people who didn’t consider themselves artistic. Also, I didn’t remember doing finger painting as a child, so I thought the RTArt Camp would be a good excuse to have the experience. I’d bought a three pack of eight ounce finger paints in primary colors so we could mix, as well as three rolls of freezer paper. I had high hopes, but turnout was rather small, maybe eight people. On the plus side, one big burly guy came over to finger pain particularly because he hadn’t done it since he was a child. We got him (as well as a male New Englander friend of mine) totally out of their comfort zones.

I learned something very important about finger painting that day. It’s lots of fun to paint on the smooth, shiny side of the freezer paper; the flow is amazing. However, as soon as the paint dries, it peels right off that slick paper. I used it as an opportunity to talk about the Merry Pranksters and their belief that “art is not eternal.”

Here’s a mandala drawn during Coyote Sue’s class demonstrating an easy technique for drawing them. I’m not sure who drew this one. If you are the artist, please feel free to speak up in the comments.

Monday brought Coyote Sue teaching an easy technique for drawing mandalas. The class was well-attended, and people seemed to enjoy the process.

On Tuesday (or maybe it was Wednesday), the art camp had two classes going at once. One woman taught folks how to make beaded bracelets as a follow-up to her class on embroidering beads onto watercolor paper which happened before finger painting on Sunday. Another woman taught crochet. She was able to help beginners with the basics and give more advanced instruction to folks with experience. It was really cool to come back from town that day and see people sitting all around our tables.

Thursday was another popular day at the RTArt Camp. A monk (for real!) led a pencil drawing workshop where he demonstrated techniques for making life-like art. Probably a dozen people spent time drawing according to his instructions.

This positive voodoo doll was made by a mom on the road so she could send loving energy to her kid.

The crochet lady was at it again on Friday at a voodoo doll making workshop. She donated materials (fabric, fluff) and her expertise so people could make voodoo dolls. Several people said they were making replicas of political leaders, while one woman made a “positive” voodoo doll representing her daughter. She planned to use the doll to send her child love and Reiki healing from the road.

Saturday was my big day—collaging! Unfortunately the day turned out to be cloudy and windy. By 11am, the sun was peeking out, but the wind didn’t cease until after we got some rain. Thankfully, the wind had chased away the few participants before the rain began, and Coyote Sue and I had divvied up and packed away all the art supplies before anything got wet. The RTArt Camp was over.

Participating in the RTArt Camp took a lot out of me. Because none of us figured out how to put up an awning, we sat in the sun for at least five hours a day. Even wearing long sleeves and my hat, that was a lot of sun exposure for me. Our tables were next to the road, so we also had to contend with dust stirred up by the vehicles rolling by. Most folks were courteous and drove slowly, but too many people drove way too fast. I dubbed the second set of people “dust devils.”

While it was easier to meet people at the RTArt table because we already had something to talk about, there was more talking to strangers than I was comfortable with. Not only did I have to speak to people who were interested in what we were doing and wanted to participate, I also had to speak to people who treated us as a general information booth. I didn’t mind when people asked where the labyrinth was or where Nadia was camped; what I minded was when I politely said I didn’t know and people persisted in their questioning. I never had time to go looking for the labyrinth and Nadia never introduced herself and pointed out her rig, so I wasn’t able to offer the detailed information people wanted.

These are jars I decorated during downtime while staffing the RTArt table. I got the beads at the free pile, then sorted them according to color. The jars came from the free pile too; I decorated them with pretty scrapbooking paper and washi tape. Fun!

Several great things did come out of the RTArt Camp.

On the last day of the camp, Coyote Sue and I divvied up all the leftover art supplies, much of which was donated to us or came from the free pile. I ended up with a lot of really useful supplies other folks were done with.

The second good that came from the art camp was getting to spend time with other cool, art-centric folks. As always, I enjoyed spending time and sharing ideas with Coyote Sue, and I met three other super cool artist. I know I’m in good company when I like everyone sitting around the campfire with me, and that happened more than once at the RTArt Camp.

Probably the best thing that came out of the RTArt Camp was a nomadic intentional community for artsy rubber tramps. Different subgroups of the community camp together and make art together. Folks come and go as they please and take turn being the go-to person in the group. I haven’t camped with the group yet, but I hope our paths cross someday.

I made this lanyard from beads I got at the free pile. Do you like it? I’m willing to give it away to someone who needs it. I made it while staffing the table at the RTArt Camp.

I said in my report on the 2018 RTR that my Rubber Tramp Rendezvous days are probably over. If I stick to the decision not to go to future RTRs, that means my RTArt Camp days are over too. While I did enjoy some aspects of the art camp very much, it also took a lot out of me. I might do better camping with a small group of like-minded rubber tramps.

I took all of the photos in this post. Thanks to the artists who allowed me to share their work.

 

Dec19

How I Met Mr. Carolina and the Boys

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Sometimes I don’t know how much background I need to give in order for a story to make sense. Sometimes I can just start in the middle of everything and tell a story, but sometimes I have to give so much background info that I’m a thousand words in and exhausted by the time I get to the story I want to tell. That’s how I feel about how I met Mr. Carolina and the boys.

It all started with the Grateful Dead. Yes, that’s the place to start.

I was not a Grateful Dead fan when the Grateful Dead actually existed. I guess I’d heard of them in 1987 when “Touch of Grey” hit the charts, and my first true love did put “Sugar Magnolia” on a mix tape when he was trying to woo me in 1992. But I’d gone most of my life not being a Deadhead. Then I met the boyfriend who turned out to be not very nice. I’ll spare you all the gory details, but he was a Deadhead. We listened to the Grateful Dead all the time, and we started seeing a lot of Further, and I became a Deadhead too.

(If you didn’t know, according to https://en.wikipedia.org/wiki/Furthur_%28band%29

Furthur was a rock band founded in 2009 by former Grateful Dead members Bob Weir and Phil Lesh. The original lineup also included John Kadlecik of the Dark Star Orchestra on lead guitar, Jeff Chimenti of RatDog on keyboards, Jay Lane of RatDog on percussion, and Joe Russo of the Benevento/Russo Duo on drums.[1] Named after the famous touring bus used by Ken Kesey and the Merry Pranksters in the 1960s, Furthur was an improvisational jam band that performed music primarily from the extensive Grateful Dead songbook, as well as their own original music and that of several other well-known artists. In addition to the original members (with the exception of Jay Lane, who left the band in March 2010 to rejoin his previous band, Primus), the band’s lineup included backup vocalists Sunshine Becker of the a cappella ensemble SoVoSó and Jeff Pehrson of the folk rock bands Box Set and the Fall Risk.)

When I finally extricated myself from the not-very-nice boyfriend, I thought I had lost Furthur and the Grateful Dead too. I thought that part of my life was over, and I’d never hear those songs again.

I got over that silliness in a couple of months.

I realized the music belonged to me as much as it belonged to anyone else. My not-very-nice boyfriend might have introduced me to that music, but he didn’t own it.

I’ll fast-forward through the part of the story where I was homeless and living in a highway rest area (if you want to read about that, you can go here: http://www.rubbertrampartist.com/2015/06/11/hummingbird/.) I’ll skip the part where two friends from college who’d heard I’d disappeared found me and offered love and support. (That’s a story for another day.) I’ll go straight to the part where I used the money I’d earned selling hemp jewelry combined with money friends had donated to my cause so I could buy a van to live in and work out of. One week after I’d gotten the van registered and licensed, I was off to the big city where Furthur was playing.

I drove all alone for hours to get there. My new-to-me van didn’t have a working radio, so I had no music to distract me from my thoughts. Was this trip the right thing to do? Would the van make it? What if I ran into my ex-boyfriend there? Would I make enough money selling jewelry to even get into one of the three shows Furthur was doing? Would I make any friends?

I didn’t really expect to make any friends. In real life, I’m shy, and it’s not easy for me to make friends. And if you’ve ever been to Shakedown Street

(the parking lot, or large area, outside os [sic] Grateful Dead or Phish shows where everything from drugs, burritos, tie dyes, incense and clothing were sold. Shakedown was the place where one could chill before or after a show and find whatever it is one was looking for. Most known for it’s [sic] open air drug supermarket where cats would have nitrous oxide tanks in the back of cars and sell balloons of nitrous for $5. also [sic] people would walk around uttering “trips trips” or “kind bud, according to http://www.urbandictionary.com/define.php?term=Shakedown+Street)

or a Rainbow Gathering or a music festival, you know those places are not hotbeds of middle-age, single women.

But I was excited to go, excited to be in the hubub of the parking lot, excited to (hopefully) make it into the show.

The first day on the lot was fun enough. I sold a few things, traded for a few things, gave water to thirsty kids and dogs, and generally hung out. That night I tried to sneak into the outdoor show, but I had no idea what I was doing and ended up surrounded by scratching, jabbing plant matter. As I tried to get out of the mess I was in, a security guy (who was probably young enough to be my kid), heard all the noise I was making and yelled, Get out of the bushes! I yelled back, I’m trying.

After I made it out of the cacti and trees, I sat out in the van until after the show, thinking maybe there would be some hanging out. Of course, the cops ran everyone out of the parking lot after the show, so I drove to the nearest Stuff-Mart and got some sleep.

I returned to the lot early the next day. Not long after I parked, a car full of people pulled in next to the van. More people joined them. Most of the people were young men, although there was an older-than-me woman with them and a man younger than her but older than the rest who seemed to dote on her. They hadn’t been there long when the older man offered me a bottle of water. I took it gratefully.

Several hours later when the late autumn sun was beating down, one of the young men asked me if I wanted some shade. He said they had a tarp and asked if they could stretch it from the car and attach one end to my van. I agreed and helped a little to get the cover in the right place. I didn’t spend much time in the shade, but did have short, pleasant conversations with the various people hanging around.

On Sunday, not long after I arrived in the lot, the folks who’d hung out next to me the day before got there without the car. (I believe they came riding in standing on the running boards of a pickup truck.) I went over to talk with them and we exchanged names. Sweet L admired a copper bracelet I was wearing, and I told him a friend of mine had made it. The dogs of the couple who I later found out spent most their time having whisper fights needed water, so I said we could fill the bowl from my five gallon water jug. One of the young men jumped up to help me. That young man was Mr. Carolina.