Tag Archives: Blessed Virgin Mary

J Gurl

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Nolagirl and I were at spark! Mesa’s Festival of Creativity in the spring of 2018. We were looking at the art cars and came across one that turned out to be one of my favorites of the whole day, J Gurl by Diane Bombshelter from Tucson, AZ.

According to her website, Diane Bombshelter is primarily a painter who creates on black velvet. Apparently she’s really good at painting on cars too.

This is the big picture of what her art car looks like.

An art car is brightly painted with images of bugs and flowers. The Blessed Virgin Mary is painted on the hood.
Can you see the Blessed Virgin Mary on the hood of this art car?

When I got up close and starting looking at the details, I liked the car more and more.

Here’s the sacred heart painted on the back passenger door. I like the way pieces of broken mirror were used to accentuate the painting and add sparkle to the area. Also, the rough edges of the glass could cut the viewer, which I think brings to mind the pain caused by those thorns wrapped around the heart.

Sacred heart painted on the side of art car JGIRL.

Much of the imagery on the car is specifically female and really celebrates feminine power and energy. For example, here’s a uterus complete with egg tubes, ovaries, developing eggs, cervix, and endometrial lining painted on the rear passenger side of the car. Again, mirrors (this time round ones to echo the roundness of the eggs) catch the light and add sparkle and shimmer. Of course the pink background evokes stereotypical femininity but perhaps also a reclaiming of female strength.

Painting of uterus on the art car JGIRL. Ovaries, egg tubes, and endometrial lining also featured.

Here’s a vulva, right over the gas tank! Do you think that placement was random or a conscious choice?

Painting of a red and pink vulva on the art car JGURL.

The details that went into this representation of the vulva make me really happy. The yellow represents flames, perhaps, or bolts of energy. The red jewels outlining the border are also very sweet–more sparkle, more pizzazz. You may not be able to tell from my photo, but the clitoris is entirely composed of shiny little jewels. This vulva is a celebration of womanly parts. This vulva shines!

Art car JGURL has painting of Kwan Yin on the side. Sunlight is lighting her face and head. Glass beads radiate out from her head.

Ah, there’s Quan Yin, one of my favorite manifestations of Goddess energy. According to a Crystallinks webpage,

Quan Yin is one of the most universally beloved of deities in the Buddhist tradition. Also known as Kuan Yin, Quan’Am (Vietnam), Kannon (Japan), and Kanin (Bali), She is the embodiment of compassionate loving kindness. As the Bodhisattva of Compassion, She hears the cries of all beings…

Contemplating the Goddess of Mercy involves little dogma or ritual. The simplicity of this gentle being and Her standards tends to lead Her devotees towards becoming more compassionate and loving themselves…

Don’t you like the way I took the photo so the sunlight makes the area at the top of Goddess’ head glow? I’m pleased with that aspect of the photo, although I can’t remember if it was a conscious composition or a happy accident.

Art car JGURL has a mosaic of the Blessed Virgin Mary on the hood.
This photo courtesy of Nolagirl.

If the Blessed Virgin Mary is more your style when it comes to Goddess representation, Bombshelter has that covered for you on the hood of the car. The image of the BVM is made from flat glass marbles and is surrounded by small BVM statues. The blue flowers are artificial and permanently adhered to the hood as far as I could tell.

It’s obvious that so many loving details went into the design of this car. Even the dashboard is carefully decorated.

Dashboard of art car JGURL. Toys decorate the dashboard and the word "Goddess" is spelled out in Scrabble letters.

My favorite part of this interior decoration is the word “Goddess” spelled out in Scrabble letters. Clever!

In a 2015 article about the Art Car World museum in Douglas, AZ, Diane Bombshelter discussed pushing the boundaries of what cars are supposed to look like and represent in our society.

“Breaking that taboo opens people’s minds. It doesn’t have to be a certain way; it can be this way, too,” she said

“… I wanted to bring art to the public, instead of the public having to go to an art gallery.”

Arizona license plate on an art car. The plate number reads J-G-U-R-L.

I greatly enjoyed seeing and appreciate this art car. Hopefully I’ll see it again someday and take photos of the art on the driver side.

See Diane Bomshelter’s paintings on black velvet on her website.

If you enjoyed this post, you may also want to read about another art car called California Fantasy Van  that was also at the spark! Festival.

I took the photos in this post, except for the one attributed to Nolagirl.


Our Lady

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During my years as a Catholic, the Blessed Virgin Mary was usually off to the side. She was the mother of Jesus, of course, but she only got attention during Christmas (happy) and Easter (sad) and in the story at the wedding where she tugged on her son’s robe and asked him to do something about the wine situation. Like most women in the Catholic Church, she was a helper who got second billing.

I hadn’t been in a Catholic church for years. It was the late 90s, and I was in a long-distance relationship with a Texan. The last time I’d been in a Catholic church had probably been six years earlier while on an art tour in Venice, Italy. The last mass I’d been to was probably the one for my cousin’s wedding a year or two before the trip to Europe. It had been a long time.

My Texan was an activist and during one of my infrequent visits, he was participating in a reenactment of a massacre of Zapatistas in Oaxaca, Mexico. I knew about the reenactment before my visit, but my Texan hadn’t told me it would take place on the grounds of a Catholic church, so the location was a surprise. Even more surprising was when the reenactment turned into a precession that proceeded into the church.

Oh yeah, my Texan’s comrade said to me with a shrug, there’s a mass.

A mass? I wasn’t prepared for a mass.

The comrade thought we should go inside and join the mass. Not knowing what else to do, I followed him in.

The priest was already in front of the congregation when we walked in. Someone was already doing the day’s first reading from the missal. Instead of slipping into the back pew as I would have done left to my own devices, the comrade walked all the way up the aisle to the very first pew. I could have ducked into a pew anywhere along the way, but for some reason that must have made sense at the time, I followed him all the way to the front.

He grew up Catholic, I reasoned. He knows what he’s doing.

He hadn’t grown up Catholic, I found out later. Sure, he’d grown up in Central America, but contrary to my assumptions, that didn’t mean he came from a family of practicing Catholics.

In my Catholic family, we did not show up late to mass. If we stood to arrive even a few minutes after the ceremony started, our plans would change abruptly to include a later mass. Had my mother ever arrived late for mass and been forced to enter the church, she would have scurried into the first available pew. Nothing could have made her walk all the way to the front, flaunting her tardiness in front of God and everyone.

I remember a few other things about the mass that day in Texas in addition to bringing shame on my mother by advertising my late arrival. I remember the priest (an ostensibly white man with white hair) speaking a mixture of English and Spanish to the congregation of predominately Mexican descent. I remember my Texan’s Irish comrade chastising me and the comrade I followed in for sitting when everyone else knelt, and I remember the Blessed Virgin Mary.

In every (and I mean every) other Catholic church I’ve been in, Jesus on the cross was front and center. Maybe Mary was on one side or the other, but often enough, she was in some little alcove in the back. In this church, Mary was up front, in the middle, larger than life and looking serenely on us all. Jesus on the cross was relegated to a supporting role presiding over where the choir usually sat.

I made this devotional called “Our Lady.” I can’t guarantee it will glow like this once you get it home.

I was shocked and pleased. I wondered what it would mean to attend a church where the Mother stood peacefully over the congregation week after week, where folks didn’t have to stare at bloody Jesus for an hour every weekend. How different my Catholicism might have been had I belonged to a church where the feminine was in the forefront.

Interior of “Our Lady of the Tiny Box”

Even though I haven’t been a practicing Catholic for decades, I still have a soft spot for the Blessed Virgin Mary. She is the Catholic representation of the Mother after all. She loves us and takes our petitions to Jesus. There are no stories of Mary being wrathful, only stories of her being loving and kind and concerned.

Exterior of “Our Lady of the Tiny Box”

Recently, I made some art featuring the BVM. I guess I’m getting back to my roots. “Our Lady of the Tiny Box” was spoken for almost as soon as I posted a photo of it on Facebook, but “Our Lady,” a tribute to Our Lady of Guadalupe made from an Altoids tin, is still available for purchase for only $18, including shipping. With this little devotional, you can bring the peace of the Mother into your life.