Tag Archives: Bellagio

Bellagio

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I’m sure I walked into some part of Bellagio during my my first time in Las Vegas. Well, I was sure until I went in with The Poet and The Activist in October of 2017.

Every time I had visited The Poet and The Activist in Las Vegas, we had talked about going to Bellagio to see Dale Chihuly’s glass art. I didn’t really remember seeing the glass art, but I felt sure I had. I always told The Poet and The Activist I didn’t need to see it agian, and we always had many other things on our itenerary of fun, so we never went.

This visit, however, we had more free time in our schedule, so we decided to go to the casino on a weekday morning in hopes of missing the crowds. We got a later start than we’d planned, so our morning visit turned into an early afternoon excursion.

I’d also been confident all the casinos in Vegas offered free parking; Bellagio does not. Maybe Bellagio charges for parking because it has a parking garage. The Hard Rock Hotel has a garage too, and I know the Love Kids and I parked my van there overnight and for free in 2012. Maybe the Hard Rock offers free parking because it’s not on the main drag and has more room. We parked for free at Hooters too in 2012, but that was in an outdoor parking lot, not in a garage. Maybe Bellagio is just trying to be exclusive. I’m (obviously) unsure, but Bellagio wanted $7 and up for cars that parked in the garage for more than an hour.

So yes, the first sixty minutes of parking was free.

I think we can see everything in an hour, I said. The Activist was skeptical, but I was confident.

We parked, then found our way through the maze of the parking garage. We got on an elevator that took us up a couple floors, then followed a sign directing us to the casino.

The Activist found the Chihuly flowers right away. He’d walked ahead while The Poet and I hung back and took in the hustle and bustle of what seemed to me like a very high-end shopping mall. The ceilings were incredibly high and the floor was impeccably clean. I remember all the casinos on the strip being very well maintained, but this was Disney Land level spotless. There was not a streak of dirt on the floor nor a scrap of paper.

The Activist beckoned us, and we walked into a large open area near the reception desk serving the luxery hotel within the casino. I suppose we were in the lobby, although I didn’t see any luggage.

The Activist pointed up, and my gaze and The Poet’s followed his finger. Hanging from the ceiling were many, many, many colorful glass blossoms.

Glass flowers by Dale Chihuly installed on the ceiling over the lobby of the hotel within Bellagio

According to a 2013 article in the Las Vegas Review-Journal, the official name of the piece is Fiori di Como, and it cost $10 million. The article continues,

The sculpture consists of 2,000 hand-blown glass blossoms that weigh about 40,000 pounds. They are supported by a 10,000-pound steel armature. Every morning between 2 and 5 a.m., a team of eight to 10 engineers cleans and maintains the sculpture…

I suppose they look like flowers. I know they’re supposed to look like flowers, but I think they mostly look like colorful blobs.

I wish the flowers had been lit better. The light coming from behind them was quite subdued. Was this the choice of the artist, or was the hotel management using low lighting to keep the mood of the lobby mellow? I don’t know, but I would have liked to see the glass flowers lit by natural light. I think they would have popped had the strong Las Vegas sun shone through a skylight behind them.

When I heard there was Chihuly glass at Bellagio, I thought we were going to see an entire exhibit of different colorful pieces. There were a lot of flowers, sure, but they were simply variations on one theme. Besides, because they were on the ceiling, it was difficult for me to see much detail.

I took a few photos. They didn’t come out so great because of the dim, artificial lighting. (I love natural lighting for my photos.)

A little further into the lobby, there was a horse upon wich sat a person in an eleborate costume. I realized pretty quickly that the horse was a statue. I thought the person on the horse was eventually going to move (and even warned The Poet to expect some movement), but I guess that’s in another casino. This person did not move and turned out to be a statue too. Other people were taking photos of the spectacle, so I did as well. I failed, however, to stoop down and read the explanation of why this statue was in the lobby.

Perhaps the statue is related to exhibit showing at Bellagio Gallery of Fine Art called “Samurai: Armor from the Ann and Gabriel Barbier-Mueller Collection.” According to the Bellagio website, the exhibit runs until April 29, 2018 and

honor[s] the culture, lifestyle and art of the samurai warrior. Spanning hundreds of decades of Japanese history, more than 50 pieces of samurai armor will be on display.

After we got our fill of the Chihuly glass flowers (which took about three minutes, actually), we wandered over to the conservatory.

When we’d told a friend of The Activist and The Poet we were going to see the Chihuly glass, she said the conservatory would be done up for autumn and we’d certainly enjoy that. When we saw the conservatory, I thought What’s the point?

What’s the point of a talking tree in the conservatory?

While the display was colorful (which I certainly liked), I wouldn’t say it was beautiful. I would say it was gawdy. I’d also say it was more Disney Land-esque than even the spotless lobby. Talking trees? Come on!

Maybe the conservatory is meant to appeal to children, an attraction helping to make Vegas a family destination. Maybe it is supposed to be gawdy, over-the-top, like so much else in the city. Personally, I looked at the display of plants and flowers and saw wasted money. How many hungry people could be fed with the money spent on that display? How many homeless people could be housed with the money spent on that display? How many books for libraries or supplies for school kids could be bought with the money spent on that display?

I’m not opposed to spending money on art and beauty available to the masses, but this gawdy disply for the elite who could make it into the building left me wondering, What’s the point?

What’s the point of giant peacocks?

What’s the point of fake trees that roll their eyes and talk?

What’s the point of larger-than-life acorns and animatronic birds swishing their tail feathers?

My friends and I wandered around the conservatory for 10 or 15 minutes. People all around us were taking photos, and there were cameras flashing in all areas of the large room. I took some photos too. It seemed like the thing to do.

When we all agreed were were ready to go, we followed the signs back to the elevators, which we took down to the level where we’d left the car. As I’d predicted, we finished our looking in less than an hour and didn’t have to pay a penny for parking. It wasn’t a terrible excursion for free, but I know someone was footing the bill for the thousands of blossoms and all the talking trees.

 

The Rubber Tramp Artist wonders, What’s the point?

The Bellagio and 99 other Las Vegas attractions are on the Jen Reviews list of the 100 Best Things to Do in Las Vegas.

I took the photos in this post except the last one, which The Poet took for me.

 

The Other Las Vegas

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I’d been to Las Vegas one time before.

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It had been a three night whirlwind dirty kid tour of eating strawberry shortcake and drinking fine tequila we pulled from trash cans, exploring the Hard Rock Hotel while high on the finest of hallucinogens, and napping in a park during the daylight because we’d been awake all night. We’d been kicked out of Caesars Palace when Sweet L accidentally hit a slot machine with his knee and a panel popped open, exposing wires and lights. We’d apparently been banned for life from the Las Vegas Margaritaville location after we’d tried to take a shortcut through a barricaded area in the wee hours of the morning. We strolled The Strip for hours, marveling at the excess of the casinos, watching the water shows performed by the Fountains of Bellagio, pressing in with the crowd to see pirates battle sirens in the cove in front of Treasure Island.

We even gambled one night. Mr. Carolina asked me for a dollar, and I gave him one from my meager stash. He put the bill in a slot machine, and he and I took turns pushing buttons (he knew what he was doing, but I had no clue), until we were up $5. I insisted we cash out, while he stared at me incredulously. He knew we’d never win big if we didn’t play big, but I wanted the five bucks to buy gas for the van.

We mostly saw rich people, or at least people rich enough to take a holiday in Las Vegas. In addition to the rich people, we saw the workers in hotels and casinos and gift shops who served the tourists.

We also saw locals putting the hustle on visitors. We saw people dressed up in costumes (superheros, Muppets, Disney characters) hoping to have their photos taken with tourists in exchange for a tip. (For an interesting discussion of these folks in costume, see http://www.vegassolo.com/vegas-costumed-panhandlers/.) We saw panhandlers (especially on the bridges used to cross from one casino to another while bypassing vehicular traffic) asking tourists for spare change. At one point, I was carrying around a white takeout box we had pulled from the trash, and a local woman asked me for my leftovers! I thought that was funny and weird, because in no way did we look (or smell) like Las Vegas tourists. I told her she could have the food, but she changed her mind when I told her it had recently been in a garbage can.

But mostly we saw tourists with money. We were on The Strip, after all, and The Strip is a prime hangout location for tourists with money.

Almost exactly three years later, I found myself back in the city, but this time I got to see the other Las Vegas.

I was visiting my friend The Poet and her husband (who is now my friend too) The Activist. They’d moved to West Las Vegas in March, and now it was October.

According to https://en.wikipedia.org/wiki/West_Las_Vegas,

West Las Vegas is an historic neighborhood in Las Vegas, Nevada. This 3.5 sq mi (9.1 km2) area is located northwest of the Las Vegas Strip and the “Spaghetti Bowl” interchange of I-15 and US 95. It is also known as Historic West Las Vegas and more simply, the Westside.[1] The area is roughly bounded by Carey Avenue, Bonanza Road, I-15 and Rancho Drive.[2][3]

(I highly recommend this Wikipedia article, as it explains a lot about the history of segregation in Las Vegas.)

The Poet and The Activist are involved with Nevada Desert Experience. According to the group’s website (http://www.nevadadesertexperience.org/history/history.htm),

In the 20th century, the Western Shoshone Nation’s homelands began to suffer from nuclear weapons testing conducted by the U.S.A. & the U.K. A few peacemakers came out in the 1950s to challenge the nuclear testing, and a few more in the 1970s. People of faith gathered for the first “Lenten Desert Experience” at the Nevada Test Site in 1982 to witness against ongoing nuclear violence. Soon the resisters were calling their movement “Nevada Desert Experience” (NDE). The name also refers to an organized activist group which continues to conduct spiritually-based events near the Nevada National Security Site (the NNSS/NTS) in support of peace and nuclear abolition. NDE celebrates the power of God’s creation, analyzes the tragedy of the nuclear weapons industry, and calls for ending the destruction and repairing the damage.

The Poet and The Activist live in a cute little house that includes the NDE office. Their place is in a compound with two other houses where activists live. Each house is painted a lovely bright color, and they all face a tranquil courtyard. My friends have a guest room, where I stayed during my visit.

The Poet and The Activist also work with the Las Vegas Catholic Worker folks, although neither identify as Catholic. They are both definitely workers, arriving at the Catholic Worker house (500 West Van Buren Avenue) around six o’clock several mornings each week to meet the folks they work with to serve a 6:30 breakfast to a couple hundred poor/homeless/hungry people who gather in an empty lot at G & McWilliams Streets.

I got up early too on two mornings during my visit and helped serve breakfast.

The breakfast crew is a well-organized bunch. When we arrived at the Catholic Worker house a little after 6am, folks were gathered in the common room off of the kitchen for their morning prayer group. Breakfast was already cooked, and food and equipment were ready to be loaded on a trailer for the trip of several blocks to the lot where the morning meal is served Wednesday through Saturday. Before we left, the dozen or so of us there joined hands for another prayer. (I’m not one to pray much, so I just bowed my head politely and kept all snarky comments to myself.)

Christ of the Breadlines by Fritz Eichenberg – mural outside the Catholic Worker Houses – painted by Q (image from Las Vegas Catholic Worker website–http://www.lvcw.org/)

When we arrived at the site of the meal, I was surprised by two things.

#1 There were a lot of people there. I didn’t try to count, but I estimated there were 200 people. The Las Vegas Catholic Worker website (http://www.lvcw.org/) confirmed my estimate. I knew Las Vegas is a major city (with a 2013 population of approximately 603,500, according to https://www.google.com/search?q=population+of+las+vegas+nv&ie=utf-8&oe=utf-8), but I was surprised to see so many people in need in one place.  Based on my prior Las Vegas experience, I would have said the city didn’t have a large homeless/poor population. I would have been wrong about that. (I tried to find an estimate of the number of homeless people in Las Vegas. I couldn’t find statistics pertaining specifically to the city, but according to the Nevada Homeless Alliance 2015 homeless census, 34,397 individuals experience homelessness in southern Nevada. To learn more about the Nevada Homeless Alliance, go to http://nevadahomelessalliance.org/.)

#2 All of the people waiting for breakfast were lined up and waiting for the food to arrive. They’d obviously done this before. There were six or eight lines of people. When the food arrived, the folks serving the food set up at the front of each line and started dishing out breakfast.

I was not surprised to see that most of the people waiting for breakfast were men. In most of my experiences with services for poor/homeless people and being on the streets, men typically outnumber women (with the possible exception of clients at food pantries). I’d say out of the approximately 200 people there to eat breakfast, maybe 10 were women.

On my first morning serving, I helped The Poet hand out bread. On the second morning, I served bread alone while The Poet distributed jalapeños. On both mornings, everyone who came up to get bread was polite and friendly. I was polite and friendly myself and did my best to greet everyone with a smile and some bubbly happiness.

After seeing so many homeless people gathered for breakfast, I was outraged by the number of obviously abandoned houses throughout West Las Vegas. I was totally flabbergasted when my friends and I went downtown, and I saw abandoned hotels.

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El Cid Hotel was just one of the obviously abandoned and fenced off hotels I saw in downtown Las Vegas.

Las Vegas is not lacking space to house folks experiencing homelessness. Las Vegas has plenty of space to house people. The city could buy some of the abandoned hotels and provide housing to several hundred individuals. And if the city bought up all the abandoned houses it could provided them to families dealing with homelessness.

I was outraged and sputtering while standing in front of El Cid, taking photos and outlining how Las Vegas could alleviate homelessness. My friends just shook their heads and said the city was unlikely to do any such thing.