Tag Archives: collage

Peace Collage

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My friend’s birthday was approaching, and I wanted to make something special for her. I sent her a hat a while back, and now she lives in the desert, so she didn’t really need another one or an infinity scarf either. I made a hemp necklace for one of her pendants two visits ago, and I didn’t know if she would like any of the necklaces I already had made. And oh, yeah, I’d traded her some bracelets for a copy of her zine a couple of years ago. She probably didn’t need any more bracelets. My last option was a collage. Yes, yes, a collage!

I wanted to make a collage with an inspiring quote on it. My friend is a peace activist, so when I found a good quote about peace from Jimi Hendrix, I decided to build the gift around his words.

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My friend took this photo of the collage I made for her. I forgot to take a photo of it before I put it in the mail.

Since I love my friend, I used many hearts in the piece. I hope this work of art conveys to her how much she means to me.

Happy birthday, my friend, happy birthday to you.

Collage for Another Friend

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I don’t only make collages to sell. Sometimes I make collages as gifts.  I made this one for a friend recently.

My favorite part of this one is the tiny green padlock. The lock was given to me by another friend. He sent me two packages containing interesting little trinkets. The lock and its keys were included in the first package, and I was excited to work them into a collage. Here’s the result.

The quote is from the song “Already Gone,” popularized by The Eagles. According to https://en.wikipedia.org/wiki/Already_Gone_(Eagles_song), the song

was written by Jack Tempchin and Robb Strandlund and produced by Bill Szymczyk.

It’s my favorite quote in rock’ n ‘roll and a favorite subject for collages.

A New Collage Gift (The Light)

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I made another collage as a gift for a friend. This friend is a Deadhead (or at least has Grateful Dead tendencies), so I used a quote from “Scarlet Begonias” (words by Robert Hunter) for this piece. I did a variation on this same theme in January 2015; you can see that piece here: http://www.rubbertrampartist.com/2015/04/07/even-more-collages/. I like working with the visual images of light when I illustrate this quote.

So Many Chickens, So Little Time!

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I was hanging out with Sue Soaring Sun of Sun Gallery fame.

(Never heard of Sun Gallery in Truth or Consequences, NM? Check it out here: http://www.sierracountynewmexico.info/shopping/a-z/name/sun-gallery/ and here: https://www.facebook.com/sungallerytorc/timeline. The gallery’s Facebook page says,

Sun Gallery is a folk art and antiques gallery in Truth or Consequences, a fun and affordable spa town in beautiful southern New Mexico.

The gallery is located at 407 1/2 N. Broadway.)

We were talking about a restaurant we both know, a place where the decor is heavy on chickens. One of us piped up with So many chickens…Sue’s boyfriend grinned and added in and so little time. When we quit laughing, we agreed it would be a perfect theme for an art show. Sue decided it would be a fun May show for her gallery, so she sent out a call for submissions.

Here’s the call, as it appeared on the gallery’s Facebook page:

CALL FOR ARTISTS
So Many Chickens, So Little Time

All artists of any age or ability are invited to each bring ONE piece of artwork to Sun Gallery for our May 2016 show, “So Many Chickens, So Little Time.”

You can price your work or just show it without offering it for sale. If it sells, the artist gets 100% of the sales price. Sun Gallery will not be taking a percentage for this show.

Have fun with the theme! There are no rules about the medium or size of the artwork.

Sun Gallery will be open for both Fiesta weekend and Art Hop weekend, so your work will be seen by many.

Drop off your work on TUESDAY May 3rd between 12 noon and 4 pm.

Pick up your sales proceeds or unsold work on SUNDAY May 15 between 11 am and 4 pm.

Thanks for your participation!

I responded to the call with a big ol’ chicken collage. First I bought a used canvas and a red and white checkered napkin at Goodwill. I ironed the napkin, then used a staple gun to attach it to the canvas. The napkin made a great background to fill in any gaps between chickens.

As soon as I knew the show was happening, I requested catalogs from several chicken supply companies. Unfortunately, only one catalog had arrived by the time I really needed to get working on the project. I needed to find another source for photogenic fowl.

I had credit at bookstore that buys used books, DVDs, magazines, video games, CDs, craft supplies, musical instruments, and knickknacks. I went to the store’s periodical section and found several copies of Grit, the magazine Celebrating Rural America Since 1882. Chicken photo jackpot!

One additional source for poultry pictures was a beat-up children’s book given to me by the Lady of the House. Called The Lifesize Animal Opposites Book, it afforded me with my rooster focal point.

I spent a few evenings cutting, arranging, and gluing photos of chickens while sitting in front of a television IMG_6012playing late 20th-century game shows. I even made a special artist bio card to go with my collage.

I ended up pleased with the outcome of my work. There are a lot of chickens in my collage. There are SO many chickens!

I decided to call my piece Chicken Tractor because I think that’s a hilarious term.

My collage will be on display at Sun Gallery starting tomorrow until May 15. If you are in the neighborhood, you should stop by and see it live and in person. (As usual, my photos don’t do justice to the real thing.) The collage (13″ by 15″) is most definitely for sale. If you want to add it to your very special chicken collection or display in in your heretofore fowl free home, please contact me and we can negotiate.

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I took the photos in this post.

It Is What It Is

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IMG_5195It started with Judge Judy. For real.

The Lady of the House likes to watch Judge Judy on afternoon television. I’d always resisted such cheesiness, but last year during my extended visited, I let down my guard and succumbed. Afternoon television was a mindless, mild distraction, something to listen to while I was making hats or hemp jewelry.

We noticed at the end of each case, when the plaintiff and defendant were interviewed, more and more people were saying, It is what it is. Usually the loser said it. It is what it is, meaning, basically, Ain’t nothing I can do about it now.

Is this a thing on Judge Judy? we asked each other. But then it started creeping up on other afternoon reality-television shows too. Is this a thing now? we asked each other.

Then people in the real world started saying it to me. My rock guy in New Mexico (who watches TV, but otherwise is pretty clueless about the current cultural zeitgeist) said it to me while we were talking on the phone. It is what it is. My boss in California told me it was her favorite saying when we were talking about a work issue. It is what it is. Then I saw it in one of those liberal-grown-up-hippie-consumer-items catalogs I’d pulled out of the trash to cut up for collages. It is what it is on shirts. It is what it is on bracelets. It’s definitely a thing now.

So I cut out the words from the catalog–It is what it is–and glued them down with bits of bright color and sent the collage to the Lady of the House. It hangs over her desk.

It is what it is.

 

More Art in Truth or Consequences

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Walk around Truth or Consequences, New Mexico, and you’ll see not only galleries full of art, but art covering the walls of buildings and decorating the alleys.

I’ll get this party started by sharing my least favorite piece of public art in Truth or Consequences. This is a tile SDC10039mosaic on the front of the Bank of the Southwest at 509 N Broadway Street. It’s a nice enough (although somewhat bland to my eye) mosaic, except for the caption, “Our Heritage.” Sure, it’s supposed to be inclusive, with the Spanish Catholic guy on the left, the Native American fellow in the middle, and the white cowboy/rancher man on the right, but what about women? Did only men play a role in the heritage of Truth or Consequences/Southern New Mexico/the Southwest? I think not. I roll my eyes every time I see this piece of work that renders invisible the women who played a role in the town’s history.

(After doing some basic Google searching, I was not able to find the name of the artist who did this mosaic, nor when it was completed. If you know the name of the artist and the history of this mosaic, please leave a comment with the info.)

A piece I like more is this one, located in the alley behind the storefront on Broadway that once housed the CHF thrift store.

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Notice the mural around the windows of the white house in the background. Mural and mixed-media piece by Mary Kinninger Walker.

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Detail of the above piece. I like the smaller objects attached to the metal lids.

It’s a mixed media, found object, three-dimensional collage. For a long time, I didn’t know who’d done this piece, but two readers wrote in and told me the work is by Mary Kinninger Walker.

There are so many murals in T or C, I didn’t have a chance to get photos of them all, even though I was in town for about three weeks during my last visit. (In my defense, it was cold out, and I didn’t walk around a lot.)

Another mural I like is this one of a IMG_3948black bird (crow? raven? I can never tell the difference) on a building on Main Street, near the Passion Pie Cafe. I like those puffy little clouds against the light blue sky too. According to the Spring 2015 Sierra County Artist Directory (volume 13), the bird and the sky were painted by Bonita Barlow in 1999.

IMG_3999I also like this painting of the Virgin Mary. (Love those spirals on her cheeks!) She’s painted on a building that’s behind a hurricane fence, so was difficult for me to get a good shot of her, but she is surrounded by color and intricate patterns. The Virgin was also painted by Mary Kinninger Walker.

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Perhaps this manifestation of the Virgin was painted by one of the artists mentioned on the Sierra County, New Mexico website (http://www.sierracountynewmexico.info/attractions/art-in-truth-or-consequences-hillsboro-and-more/).

Truth or Consequences is also home to a growing number of outdoor murals; you’ll find them painted on bath houses, shops, homes, and even vacant buildings located in increasingly colorful alleyways.

I wish that website had shown some of those murals and shared the name of the artists.

I took the next three photos during my first visit to Truth or Consequences in March of 2014. This mural is painted on the back of a building and can be seen from the alley. I was attracted by the bright colors, the turtles, and the skeleton with wings. I found a photo of the skeleton in the above-mentioned Sierra County Artist Directory, and the piece was attributed to Mary Kinninger Walker and Donna Monroe.SDC10033SDC10032

 

 

 

 

 

 

 

 

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The next three pieces were also painted by Mary Kinninger Walker.  All of these are located on the back of buildings and can be seen from alleys.

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When Pigs Fly is a shop in T or C. I think this mural must be on what was the back exit to the store when it was located on Broadway.

 

 

 

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I like art that pretties up plain or ugly things.

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Love these super bright colors!

 

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These brightly colored pieces were also painted by Mary Kinninger Walker.

IMG_4003The photo to the left is a detail of a jungle-scene mural that covers the entire back wall of a building. (If I remember correctly, the front of this building is on Broadway.) I love the way the building’s actual window becomes the window of the jungle hut. I love the alert black cat on the roof of the hut. I love the way the swing fits right into the scene. Anyone know who painted this one?

 

 

 

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Information about this mural from http://www.ohwy.com/nm/w/wattanmu.htm

Just about anywhere downtown, one can see this big water tank on the hill and the mural by Anthony Penrock that wraps around it. According to the Online Highways website,

Artist Tony Pennock of Las Cruses, New Mexico painted three water tank murals in Truth or Consequences in the early 1990s. [This] One shows Apache horsemen traveling to rest at the hot springs.

 

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These tags are on a (retaining?) wall on Main Street, near the old post office and the Geronimo Springs Museum. I think graffiti is as legitimate as any other art form.

IMG_3978Sometimes art is functional, like this blue door on Main Street. I really like the intricate design highlighted in that soft yellow.

I hope to go back to T or C someday and take more photos of public art to share here.

I took all of the photos in this post.

Collage Book

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My latest collage project was decorating a book for a friend. I found a small notebook with hard covers for a good price at a thrift store. The images on the covers were ugly, so I decided to collage and decoupage.

This is the front of the collaged book.

This is the front of the collaged book. The mirror, key, peace sign, and coin are actual objects, so this is a mixed media piece.

This is the back cover of the collaged book.

This is the back cover of the collaged book.

This is what the front and back covers look like side by side.

This is what the front and back covers look like side by side.

My friend is going to use this book to log her travels in her Dolphin motor home.

The Free Pile at the RTR

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One of my favorite things about both the 2015 and 2016 Rubber Tramp Rendezvous (RTR) gatherings were the free piles. Both years, organizers set up an area where people cold leave things they didn’t want and other folks could pick up anything they did want, all with no monetary exchange or bartering. I love gift economy!

I don’t remember everything I gave away the first year, but I know I added to the pile. Likewise, I don’t remember everything I took from the free pile either, but I know I got one of the items I use most in van life from there: my pee bucket. It’s plastic, with a cover that latches on tightly. The lid has a handle too, which makes carrying the bucket over to a bush or a pit toilet very convenient. To make the fact that I’m transporting urine in it less obvious, I wrapped it in pink duct tape. Thanks free pile!

This year I added two books, a pair of worn-only-once black leggings, a small plate, multiple glue sticks, and other odds and ends I can’t remember to the free pile. (I should have written an inventory of what I contributed.) In return, I got so many good things, even though I was being really picky about what I took back to the van, since I’m trying to live with less, not collect more stuff I don’t really need.

I picked up quite a bit of food from the free pile this year. Early on, I got two cans of vegetarian refried beans and two large cans of tuna. Later I picked up a sealed box of whole grain spaghetti. After the soup dinner, the head cook contributed to the free pile all the cans of food not used for the soup or chili dinners. I picked up a small box of vegan, organic black bean soup; a jar of organic spaghetti sauce; another can of vegetarian refried beans; a can of black beans; two cans of garbanzo beans; a can of sliced carrots; five cans of diced tomatoes; and three cans of chili beans.

One day I dug through the piles of clothing and found a brightly colored fleecy Cuddl Duds brand shirt. It was only a large, and I usually wear XXL shirts, but it looked rather big, so I took it to my van home anyway. Because the fabric was stretchy, it fit me, albeit snugly. It was very warm and comfy, and I wore it on two of the coldest nights at the RTR.

A few days later, I was poking through the free clothes (not that I need any more clothes) and found a bright purple (with silver sparkles) furry sweater that I immediately loved. I was super excited when I looked at the tag and found the size: XXL! Score! The sweater was in excellent condition, and I wore it throughout the rest of the RTR. (I returned the slightly too small Cuddl Duds shirt to the free pile in hopes it would be found and loved by someone it fit better.)

Although lots of books were dropped off at the free pile, I already had lots of books in the van, so I was very particular about what I took. I did pick up one hardback book that looked entertaining. It’s called Cinnamon and Gunpowder, and it was written by Eli Brown. It’s a novel about a fancy chef who’s kidnapped by a female pirate, and it turned out to be a great read. At the end of the gathering, I couldn’t resist picking up Almost French, a memoir by Sarah Turnbull about being an  Aussie in Paris in the mid 90s.

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This is the chair I scored from the RTR free pile.

Possibly the best item I got from the free pile (it’s a tossup between this and the furry purple sweater), is a very sturdy folding camp chair complete with a folding tray on the side. When I first tried to lift the tray, it was difficult to move, due to some rust. Thanks to a squirt of WD40 (Thanks, Miz Sassy!), I got the tray sliding easily. The top surface of the tray had some (water?) damage, so I decided to collage and decoupage.

This is how the tray looked when I got the chair from the free pile.

This is how the tray looked when I got the chair from the free pile.

 

 

 

 

 

 

 

 

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This is how the tray looks after my collage and decoupage action. The map is of New Mexico. (It only shows Taos to Socorro.) Many of the other images are of or remind me of the Southwest.

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Organizer pockets originally on my from-the-free-pile folding chair, now on my passenger seat. I can easily grab my water bottle while I’m driving because it’s not rolling around on the floor. My phone goes in one of the top pockets.

The side of the chair without the tray sported a really nice set of pockets. The pocket bag was attached to the chair with hook and loop fasteners, so it was really easy to remove. I attached the pocket bag to the arm of my passenger seat with large safety pins, so now i have a handy place to keep my water bottle, phone, insurance papers, and van registration while I’m driving.

I always have a great time looking through free piles, and I particularly enjoy finding a few great pieces that make my life a little more comfortable. The RTR free pile hasn’t let me down.