Tag Archives: Arcosanti

Arcosanti (Part 2)

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The first thing my friend and I realized as we started the tour at Arcosanti was that visitors who were not on the tour were not allowed to walk freely through the community. I understand the reasoning; I’ve worked in the French Quarter and know that dingdong tourists running around the neighborhood can be a giant pain in the ass. I understand that people live at Arcosanti and the people living there don’t want visitors wandering into private areas. What I don’t understand is why the guy on the phone made it sound like we could see whatever we wanted for free if we didn’t want to take the tour. My friend and I later agreed we were glad she’d gotten the Culture Pass and glad we’d gone on the tour. I would have been sad had we gone all the way out there and only seen the Visitor Center Complex.

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This photo shows one of the housing structures at Arcosanti.

The next thing my friend and I realized was that the senior citizens on the tour knew very little about intentional communities and cooperative living.

I’ve never lived in co-op housing, but through the years, I’ve had several friends who did. I understand the basic concepts.

The Fellowship of Intentional Community website says,

An “intentional community” is a group of people who have chosen to live together with a common purpose, working cooperatively to create a lifestyle that reflects their shared core values.

This definition spans a wide variety of groups, including (but not limited to) communes, student cooperatives, land co-ops, cohousing groups, monasteries and ashrams, and farming collectives. Although quite diverse in philosophy and lifestyle, each of these groups places a high priority on fostering a sense of community–a feeling of belonging and mutual support that is increasingly hard to find in mainstream Western society.

Among secular communities, the inspiration [for launching a new community] is typically based on bold visions of creating a new social and economic order–establishing replicable models that will lead to the peaceful and ecological salvation of the planet.

This is what Arcosanti says about itself:

As an educational organization dedicated to learning-by-doing, developing the community is an important component of creating this urban prototype. We are not a planned community, but as Arcology city design suggests, as our diverse group of residents live, work and play in this integrated setting, culture and interaction are encouraged vs. dissipated.

IMG_5039Several of the senior citizens referred to Arcosanti as a commune during the tour. The use of the word commune to describe Arcosanti showed the preconceived notions of the visitors, because our tour guide never once used the term. The definition I found for commune (a group of people living together and sharing possessions and responsibilities) is only 2/3 correct for Arcosanti, because while the folks there live together and share responsibilities, I don’t think they share possessions. (Well, maybe they share the means of production, but I don’t think they share personal property.) And the way those senior citizens said commune, it was obvious they were thinking free sex and reefers.

The first community area we visited was the foundry. The Arcosanti website calls the foundry,

a beautiful open air studio overlooking the Agua Fria River valley, shaded by a Siltcast Apse.

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This photo shows the foundry/studio which is partially covered by a siltcast aspe.

We did not see a bronze pour on the day we visited, but because of my recent visit to Cosanti, I had a pretty good understanding of how the pour worked. If I hadn’t already been to a pour at Cosanti, I would

These are molds in the sand into which the molten metal is poured to form bells.

These are molds in the sand into which the molten metal is poured to form bells.

have felt a bit confused by the information given and disappointed to not get to see the molten metal which forms the bells.

The next place we went on the tour was an area consisting of an amphitheater ringed by living quarters. This is where the senior citizens asked a lot of questions and I lost what was left of my patience.

At some point in the tour, someone asked about car ownership at Arcosanti. Our tour guide said not everyone in the community owned a car, so folks carpooled when they went into town. This seemed to concern many of the folks on the tour. I didn’t own a car until I was well into my 30s, so carpooling doesn’t seem so strange to me, but some of these folks acted as if sharing a car were on par with several people sharing one pair of shoes.

Later, while the group was standing near the amphitheater, someone asked if there were any children in the community. Our guide said there were. In fact, she told us, three generations of a family live at Arcosanti. People in the group wanted to know if there were a school in the community. The guide said the children go to the nearest public school. But how do they get to school, someone asked with just the slightest edge of panic in the voice, if there aren’t enough cars? Our guide looked genuinely perplexed for a moment, as she had never said there weren’t enough cars. She’d only said folks shared cars and carpooled, but somehow that had been translated into a dearth of cars. Does the school bus come down that terrible road? someone wanted to know. (Much grumbling about the awful dirt road followed. I thought the road wasn’t so bad. Folks who thought that road was terrible better stay out of New Mexico.)

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Notice the windows at the top of the living quarters in this photo. Those windows are made from sliding glass doors.

One woman had been looking at the living quarters which form a sort of open half circle around the seating area and stage. She voiced her concern about the sliding glass doors at the tops of the living quarters. What was to keep someone from simply walking out of those doors and falling two stories, she wanted to know. Our guide explained the sliding glass doors were not level with the floor, there was a barrier of a couple of feet between the bottom of the doors and the floor. Well, in California, there are codes! she said. That’s where my patience ended and I muttered not quite under my breath, That’s why we don’t live in California! My friend looked at me and said, This is the Wild West, baby! Then she pointed the thumb and forefingers of both hands like six shooters and used them to shoot imaginary bullets into the air while saying Pew! Pew! Pew! (That’s her sound for bullets being shot.) She and I started laughing, and I didn’t care what the senior citizens thought.

This is what I don’t understand: if a person thinks the way s/he lives is the only correct and proper IMG_5040way to live, why would that person bother to leave his or her neighborhood and look at anything else? (But I digress.)

After the tour, my friend and I thought about eating in the Arcosanti cafe. The food smells coming from in there were so good! I was ready to plunk $10 for the lunch buffet. My friend went and checked it out and didn’t see anything on the line that fit into her dietary restrictions, so we headed out

I did enjoy my visit to Arcosanti and applaud the work being done there

to embody a “Lean Alternative” to hyper consumption and wastefulness through more frugal, efficient, smart, yet elegant city designs.

Arcosanti (Part 1)

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My friend had never been to Arcosanti, and asked me if I wanted to go there with her after we visited Cosanti. I said yes to Arcosanti too, especially when I found out we could use a Phoenix Library Culture Pass to take the tour for free.

(According to the Phoenix Public Library website,

A Culture Pass gives a library customer FREE admission for two people at participating arts and cultural institutions. Passes are available on a first-come, first-served basis.  They cannot be renewed; they cannot be placed on hold.

Customers are limited to one pass per family at any one time, up to two passes per month.)

The Arcosanti website says,

Arcosanti is an urban laboratory focused on innovative design, community, and environmental accountability.
Our goal is to actively pursue lean alternatives to urban sprawl based on Paolo Soleri’s theory of compact city design, Arcology (architecture + ecology).
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This photo shows some of the buildings of Arcosanti.

Built by over 7,000 volunteers since the commencement of the project in 1970, Arcosanti provides various mixed-use buildings and public spaces where people live, work, visit, and participate in educational and cultural programs.

Every year Arcosanti welcomes 50,000 visitors who come and experience firsthand the vision and architecture of this vibrant educational community in the beautiful high desert of central Arizona. If you have a few hours you can enjoy a site tour, a meal in our café and a visit to the gallery selling our world renowned Soleri Windbells.

Before my friend picked up the Culture Pass, we discussed if we really wanted to go on the tour or if we wanted to go to Arcosanti and just look around on our own. My friend even called Arcosanti to find out what we could see if we didn’t take the tour. The guy on the phone made it sound like we could could walk around the place at our own pace if we decided against the tour. But we decided if we could take the tour for free with the Culture Pass, it would be silly not to. (For folks with no access to a Culture Pass, tours are a $10 suggested donation.)

We arrived early for the eleven o’clock tour.

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Looking down from the top floor of the Visitor Center Complex to a room below.

From I-17, we took the Arcosanti Road exit (exit 263) and then drove the mile and a half down a dirt road to get to community.

We climbed the stairs to the top of the Visitor Center Complex, where my friend showed our Culture Pass to the guy at the counter. The Visitor Center Complex houses the cafe (from which the smells of delicious food were emanating), some exhibits pertaining to Arcosanti (such as a cardboard model of the community and a retired crucible from the foundry), and lots and lots of brass Soleri Windbells for sale.

IMG_5023The crucible was quite interesting. According to the handwritten sign posted next to it,

[a] crucible is used inside a furnace to heat ingots of metal into a molten state in order to be poured into molds.

We could have used that kind of information during our visit to Cosanti!

The sign further stated,

[t]his crucible has participated in over 250 pours in Arcosanti’s bronze foundry, producing many of the bells here in the gallery.

The Visitor Center Complex is open in the center. One can stand on the too floor and look down into the cafe below.

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This is the view of the cafe seating down below.

As my friend and I looked at the bells (bells! bells! bells!), an Arcosanti representative (a volunteer? an employee? a community member?) approached us and said the tour would start soon, when a group taking the tour arrived. She said the tour would begin with a video, so my friend and I went to the video viewing area and took seats.

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Another view in the Visitor Center Complex, this one looking down and outside.

It wasn’t long before a large group of well-dressed senior citizens (probably 40 to 50 people) filled the video viewing area. There was some old-man banter between the man sitting next to my friend and one of his buddies; my friend and I rolled our eyes at each other.

The video was quite informative and told a lot about Arcosanti and its founder, Paolo Soleri.

According to the Arcosanti website,

Through his work as an architect, urban designer, artist, craftsman, and philosopher, Paolo Soleri explored the countless possibilities of human aspiration. One outstanding endeavor is Arcosanti, an urban laboratory, constructed in the Arizona high desert. It attempts to test and demonstrate an alternative human habitat which is greatly needed in this increasingly perplexing world. This project also exemplifies his steadfast devotion to creating an experiential space to “prototype” an environment in harmony with man.

When the video was over, the large group was split into two groups, each with a tour guide to show the visitors around the grounds. Our group first looked at the cardboard model of Arcosanti, then we moved outside.

Because the story of Arcosanti looks to be a long one, I will continue it in a second part.

If you want to visit Arcosanti, it

is located one and a half miles (unpaved road) Northeast of Arcosanti Road (exit 263) on I-17, near Cordes Junction, North of Phoenix.

I took all of the photos in this post..

Cosanti

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My friend asked me if I wanted to visit Cosanti. I wasn’t even sure what Cosanti was, but when she said free, I was in.

According to https://en.wikipedia.org/wiki/Cosanti,

Cosanti is the gallery and studio of Italian-American architect Paolo Soleri and was his residence until his death in 2013. Located in Paradise Valley, Arizona, USA, it is open to the public. Cosanti is marked by terraced landscaping, experimental earth-formed concrete structures, and its sculptural wind-bells.

Paolo Soleri invented the word Cosanti…[by] fus[ing] two Italian words, cosa (meaning “things”, “property”, “matter”, “business”) and anti (“against”).

The structures at Cosanti include the original “Earth House” (which is partially underground), student dormitories, outdoor studios, performance space, swimming pool, gift shop, and Soleri’s residence. All are set amidst courtyards, terraces, and garden paths.

Location and orientation of the buildings is significant. Many structures have been placed under ground level and are surrounded by mounds of earth so as to be insulated naturally, year round, for moderation of their interior temperatures. Soleri also designed south-facing apses (partial domes) situated as passive energy collectors, accepting light and heat in the lower winter sun, deflecting it and creating shade in the higher summer sun.

Cosanti (and the related Arcosanti project) are famous for bells which help fund them. (The Arcosanti website [https://arcosanti.org/cosanti] describes them as bronze Windbells.) My friend had been to Cosanti before, but IMG_4959had never seen the pouring of the bells. We went on a bell-pouring day. (Some days bells are poured at Cosanti, and some days no bells are poured. If you want to see the bells being poured, call ahead [(480) 948-6145] and get the schedule.)

We knew bells would be poured during certain hours (9am to noon, I think), but no particular time was promised for a pouring event. We arrived at approximately 10am and walked around the grounds.

There were no informational signs on the grounds of Cosanti. When we arrived, we knew we were in the right place thanks to the welcome sign near the driveway (pictured at the top of this post). After that we were on our own. There were no signs explaining the function of any of the buildings or how those buildings were constructed. There were no docents milling about answering questions.

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This is the foundry where the bells are poured. While we watched, a half dozen men scurried around making preparations. The boxes on the ground hold the molds.

We stopped at the foundry to see what was happening there. The foundry is where the metal is melted and the bells are poured.

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This is the red-hot hole in the floor of the foundry.

In the floor of the foundry, there is a red-hot hole. Solid chunks of metal were being fed into the red-hot hole to melt.

While the metal was melting, half a dozen men were moving around the foundry, preparing the molds. The molds are made from sand contained in boxes before, during, and after the pour (until the molten metal hardens).

My friend and I had some questions, so we went into the gift shop, looking for free information. There was no free brochures or pamphlets telling the history of Cosanti or discussing its current function. There was a Cosanti guidebook in the gift shop, but the price on it was $10. IMG_4952

 

 

 

 

No way was I going to spend $10 on something I was probably only going to look at once. I understand selling a book with lots of information about the project and its founder, but it seems like the more casual visitor might just need one page explaining the basics. (My friend flipped through the display copy of the $10 guide until she found the answers to her questions.)

The gift shop was filled with bells for sale. We looked around, but neither of us bought anything. (My friend’s family has two Arcosanti bells, both of which were gifts. I don’t have anywhere to hang a bell, even if the $32+ price tag were in my budget.)

My friend and I walked around the grounds some more and looked at buildings for which we had no context. When IMG_4987we made it back to the foundry, we found life there was getting exciting. Two men had donned protective jackets and protective chaps with covered the fronts of their pants. They’d also put on helmets with protective plastic shields. They looked serious.

Working together, the two men removed the crucible filled with molten metal from the red-hot hole. They carried the crucible between them, each holding a long pole on either side of the extremely hot pot. They brought the crucible over to the line of sand molds and carefully poured molten metal into each mold.

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After the pouring ended, one of the workers answered questions from the onlookers. Then it was all over until the next pour.

I did enjoy my visit to Cosanti, although I wish there had been more educating happening. It was neat to see the bells being poured. (Who’s not impressed by a red-hot hole, a glowing crucible, and molten metal?) I would go back, but only because it’s free. IMG_4961

Cosanti is located at 6433 E Doubletree Ranch Road, Paradise Valley, Arizona.

I took all of the photos in this post.