Monthly Archives: November 2016

Cats and Dogs

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I’ve been a cat person all my life.

My family had a few dogs during my childhood and adolescence. Though I liked them to greater and lesser degrees, they were all so stinky and slobbery and needy. I preferred the family cats who might sit on my lap, but never put their stinky breath right up in my face.

I was afraid of strange dogs for many years. Although I’d never been bitten, the big teeth and unpredictable ways of dogs made me nervous. I tried to avoid dogs as much as possible.

Then I became the co-owner of a puppy. I guess you could say I was the doggie mama. The relationship with the man ended, and I never saw the pup again, but I’d learned a lot about dogs. Canines don’t scare me any more, although I’m still cautious around strangers. If I want to pet a dog I don’t know, I ask the dog’s person first, and I don’t like any dog’s teeth (or breath!) right up in my face.

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I took this photo of two dogs in my care.

Yes, I recognize the irony of my situation as a house sitter who usually tends to dogs. How did I go from a gal scared of dogs to one who is quite popular with the puppies? Maybe it’s because I’m loving but take no shit. Maybe it’s because I’ve got a free hand with the (dog’s-person-approved) treats.

My theory is that dogs love whomever feeds them. When I sit with dogs, the first day and night are really difficult for the critters. They look sad and a bit confused. They mope around the house. They stare longingly at the door. By the next morning, however, when they figure out I’m going to put food in the bowl and scratch bellies too, they love me. They love me! They’re happy to see me when I return. They follow me with their eyes as I move about the house. If they are accustomed to sleeping in the bed with their people, they sleep in the bed with me. Maybe dogs are fickle. Maybe dogs are opportunists. Maybe dogs simply love easily. In any case, it does make more sense to lick than bite the hand that feeds you.

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Photo of Chiweenie taken by her person

And while love is important, feeding seems to be even more so. I recently met an old friend’s beloved Chiweenie. This dog was rescued off the streets of a major city and is a bit of a ruffian. My friend has done much work to socialize this doggie girl so she  can (usually) go on walks without attacking the ankles of passersby . Despite my friend’s warnings and best intentions, the Chiweenie jumped up and nipped my fingers as I ignored her (as directed) while crossing the threshold into her home. Damn! Apparently she doesn’t know that dogs love me. What won her over was treats, lots and lots of treats, so many treats. I first fed her through the slats of her kennel; soon I was able to feed her more directly, once she was allowed to roam freely about the cabin. In less than an hour, she was lying next to me on the couch, offering her pink hairless belly for rubs. Oh! The power of food!

Despite all this puppy love, I’ll tell you a secret. I prefer cats. It’s true. For one, they’re a lot less trouble. Although I do know a handsome Siamese who perambulates about town on a leash, I’ve never been asked to take a cat for a walk. Although cleaning a litter pan is not a fun chore, I prefer it to picking up squishy dog feces in a little bag which I then must carry around until I find a trash can. Although I am touched to see a dog get all excited when I return to the house, I’d prefer not to have a critter under my feet every time I move. I appreciate the independent nature of cats, their live and let live (and let’s mostly leave each other alone) attitude.

In my house sitting career, I’ve mostly cared for dogs. Maybe because they need more attention, it’s easier to have someone in-house to care for them. Maybe people with cats can more easily believe nothing can go wrong if someone just pops by once a day to feed and water the felines. Dogs just seem to need more supervision, so most of my jobs have been to care for canines.

I am currently house sitting and caring for an elderly cat. Although over twelve years old, this gal is healthy. I don’t have to give her any medications or clean up any unseemly bodily emissions. Mostly she sleeps in a bed on top of a chest of drawers in the main bedroom.

My cat related chores are very few. I clean out the litter pan when it gets gross. I ensure her bowls contain water and dry food at all time. I give her wet food in the mornings and evenings, as she demands by standing in front of her bowls and meowing insistently. When she wants to go outside, I open a door for her. If I close the door behind her on the way out, I let her in again when she demands re-entrance. I make sure she is inside between dusk and dawn. Easy.

The other night, a couple of hours after dark, I peeked into the main bedroom to check on Madame. She was not in her bed! What? I thought I’d made sure she was in the house before I closed up all the doors. Had I really locked the cat out on a cold, damp night?

I opened the back door, stepped out on the deck, and called the cat’s name. No response. I opened the front door, stepped out on the porch and called the cat’s name. No response. I ran back and forth a few times, calling her name and shouting, Here kitty kitty! No response. How had I managed to fail in this very simple task?

I thought maybe she was hiding in some other part of the house. She was not in the kitchen. She was not in the living room. She was not in the guest bedroom where I sleep, nor in the guest bath. I went into the office, not expecting her to be there, and turned on the light. There was Madame, curled up on the satellite TV receiver.

You heard me calling and just sat there? I asked her.

She didn’t even dignify my question with a response.

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I took this photo of the cat currently under my guardianship.

 

Lots of New Collages

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Collage fodder snatched from trash cans and recycling bin.

Collage fodder snatched from trash cans and recycling bin.

I’ve been on a huge collage kick during my current house sitting gig. It’s been a lot of fun. I really enjoy playing with color and working to get each little bit of paper in exactly the right spot.

I’d finished five or six collages and made a small dent in my collage fodder. When I went to the post office on Monday afternoon, I found so many catalogs in the trash can and the recycling bin. I guess everyone in town had started to receive winter holiday propaganda, but it seemed as if most people didn’t want it. Of course, I wish so much paper wasn’t used unnecessarily, but since it’s out in the world already…well, I can use it, so I gathered it up.

Clippings from catalogs

Clippings from catalogs

 

I spent several hours on Monday evening cutting images and colors from the catalogs and filing them in the accordion file I use for collage material. By the end of the night, I was restocked.

On Tuesday and Wednesday, I made more collages. I have several new ones I present here to you. Every one was made with my hands and heart and brain, every one is for sale, and every one is signed. Buy one today (for yourself or as a gift), and you can have it in your hot little hands by the end of the week.

This collage, entitled Be Strong and Courageous, is 4" X 6." It is made from paper on a post card that was intercepted from the recycling bin.

This collage, entitled Be Strong and Courageous, is 4″ X 6.” It is made from paper on a postcard that was intercepted from the recycling bin. The price is $20, including postage.

 

This collage is called All is Well. It consists of paper on cardboard and is approximately 4" x 4 1/2."

This collage is called All is Well. It consists of paper on cardboard and is approximately 4″ x 4 1/2.” The heart on the upper right side is a broken button that extends from the piece. The price is $20, including postage.

 

This collage is called You Deserve the Best. It is made from paper on cardboard and is approximately 6" x 3 1/2."

This collage is called You Deserve the Best. It is made from paper on cardboard and is approximately 6″ x 3 1/2.” The price is $20, including postage.

 

This collage is called Find Who You Have Not Yet Become. It is made from paper on cardboard and is approximately 6 1/4" x 3 1/4." The price is $20, including shipping.

This collage is called Find Who You Have Not Yet Become. It is made from paper on cardboard and is approximately 6 1/4″ x 3 1/4.” The price is $20, including postage.

 

This collage is called An Adventure a Day...It is made from paper on cardboard. It is approximately 4 1/2" x 4 1/2," and costs $15, including postage.

This collage is called An Adventure a Day…It is made from paper on cardboard. It is approximately 4 1/2″ x 4 1/2,” and costs $15, including postage. The photo makes the colors look rather muted and blue. In reality, the colors are much more vibrant, and the car (for example) is more of an off-white.

 

This collage is called You Don't Have to Hold on to Your Past. It is made from paper on a postcard saved from the recycling bin.

This collage is called You Don’t Have to Hold on to Your Past. It is made from paper on a postcard saved from the recycling bin. The size is 4″ x 6,” and the price is $20, including postage.

 

This collage is quite a bit bigger than the others. It is approximately 8 1/2" x 6," and is called Explore the Wonderful World. it cost $20, including postage.

This collage is quite a bit bigger than the others. It is approximately 8 1/2″ x 6,” and is called Explore the Wonderful World. It’s made from paper on cardboard and costs $20, including postage.

This collage is called What Are You Waiting For? It is made from paper on cardboard. The size is approximately 4 1/2" x 3 3/4," and the cost is $15, including postage.

This collage is called What Are You Waiting For? It is made from paper on cardboard. The size is approximately 4 1/2″ x 3 3/4,” and the cost is $15, including postage.

 

This collage is called What's Your Next Move? It is made from paper on a postcard that was headed to the recycling bin. It is 6" x 4," and costs $20, including postage.

This collage is called What’s Your Next Move? It is made from paper on a postcard that was headed to the recycling bin. It is 6″ x 4,” and costs $20, including postage.

 

This collage is called Living the Life of Adventure and is made from paper on a postcard snatched from the recycling bin. The size is 6" x 4," and the cost is $15, including postage.

This collage is called Living the Life of Adventure and is made from paper on a postcard snatched from the recycling bin. The size is 6″ x 4,” and the cost is $15, including postage.

 

(Guest Post) Why Phoenix?

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Today’s guest post was written by an old friend of mine who currently lives in Phoenix, Arizona.

It’s November 1st and finally, I believe the summer has left us. Don’t get me wrong. We will still have days with temperatures in the 80s but the evenings and the mornings are so cool and comfortable and finally wearing long pants is an acceptable dress code.

This summer has been especially hard on this perimenopausal woman in her late 40s. The temperatures have been no higher than other years and the fact that the hundred degrees last until October is normal. But my ability to cope with the warm temperatures is not what it was 20 years ago.

When I moved to Phoenix, many friends asked “Why Phoenix?” “What’s in Phoenix?” And honestly for years I had no answer for them. It’s flat, it’s brown and it’s very new and modern compared to other cities in the United States.

Tovrea Castle

Tovrea Castle

The history here only goes back to the 1940s. Convincing the city council that we need to keep those buildings from the 40s and 50s has been a challenge. Hence why everything is so new and modern. So when I find a building that is unique/different/older I get super excited and I must go inside and explore! That’s the case with the Tovrea Castle. The Ellis Shakelford House. The Security Building downtown. Luhrs Tower.

When I moved here 20 years ago, Phoenix was only supposed to be a temporary layover to my next destination somewhere on the west coast. I never intended to stay this long but good jobs, a great husband and my beautiful daughter all led to me becoming an Arizonan. I’ve not forgotten my roots. I will forever and always be a Louisiana girl. Nolagirl at heart. For that is where I found my true spirit, my true self. But now when people ask me what’s in Arizona, why Phoenix, Arizona, I can say: the Grand Canyon, street corn, fresh homemade tortillas, a sunset and

Phoenix Sunset

Phoenix Sunset

sunrise every morning and night that can take your breath away. Sonoran hotdogs. The Superstition Mountains. Home of Miranda Rights. Witnessing the evolution of a grass roots art and historic preservation community. My family. My community.

The photos were taken by the author.

Podcasts

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The first time I ever heard a podcast was when I moved from the Midwest to the Pacific Northwest. My traveling companion had loaded her MP3 player with music and words for our journey. At some point we listed to an episode of Stuff You Should Know about fluoride.

[amazon template=image&asin=B001NC8SXU] SIDENOTE: On that road trip, we also listened to David Sedaris read essays from his book Me Talk Pretty One Day. My favorite story in that book is “Jesus Shaves.” We had to stop playing it before it was over because my traveling companion was laughing so hard she was crying, making driving dangerous. (The image to the left is connected to my Amazon affiliate link. If you click on it to shop, I will receive a commission from your purchases.)

If you don’t know, a podcast is

a digital audio or video file or recording, usually part of a themed series, that can be downloaded from a website to a media player or computer.

The first podcast I really, really liked was RISK! Here’s what the RISK! webpage has to say:

 RISK! is a live show and podcast “where people tell true stories they never thought they’d dare to share in public” hosted by Kevin Allison, of the legendary TV sketch comedy troupe The State. The award-winning live show happens monthly in New York and Los Angeles…The weekly podcast gets around a million downloads each month. Slate.com called it “jaw-dropping, hysterically funny, and just plain touching.”

If you want to hear people tell true stories about sex, drugs, feces, humiliation, and sketchy parenting (among other things) while using lots of curse words, RISK! is the podcast for you. It is not a lie, cliché, or hyperbole when I say I’ve laughed ’til I cried while listening to the stories of RISK!, and sometimes I’ve just cried.

If these are the kinds of stories you like, you can listen to RISK! for yourself.

I like to have a podcast on while I’m doing work with my hands, typically work that doesn’t take too much brain power. Washing dishes? Podcast. Making hemp bracelets and necklaces? Podcast. Creating hats from yarn? Podcast. Cooking a meal? Podcast. Folding clothes? Podcast. Gluing little bits of paper into a collage? Podcast.

I revisited Stuff You Should Know a few years ago while house sitting in a secluded location. The house had no television, and it was just me and the dogs out there. I missed human voices. Hearing the banter of the hosts of the podcast, Charles (Chuck) Bryant and Josh Clark, made me feel less alone.

Stuff You Should Know led me to Stuff You Missed in History Class since both programs are produced by the same parent company, How Stuff Works.

Stuff You Missed in History Class has gone through a series of hosts since its beginning. My favorite hosts of the program are the two current smart and sassy women, Tracy V. Wilson and Holly Frey. I enjoy their comfortable presentation style while feeling confident they did their homework before hitting the record button. The amount of reading and research these women do for each episode is amazing. Holly and Tracy give us more than just the history of rich white dudes. I appreciate their inclusion of episodes about feisty women and LGBTQ folks fighting for civil rights.

While downloading podcasts from iTunes, I discovered Death, Sex & Money. The show’s website calls Death, Sex & Money

[a] podcast hosted by Anna Sale about the big questions and hard choices that are often left out of polite conversation.

I appreciate the way Anna Sale asks really personal questions while managing to express deep kindness and intense curiosity. She really knows how to get root of the matter without seeming pushy or mean. Of course, many of the episodes are heart-rending, covering topics from dead mothers and fathers (sad) to dead infants (super sad). The episodes focusing on sex and money tend to be a little more fun, although no less thought-provoking.

One of my favorite episodes of this show is an interview with Lucinda Williams. Lucinda starts off honest and raw and stays that way for nearly half an hour. Also fantastic is the five part series about New Orleans ten years after Hurricane Katrina.

My newest favorite is Myths and Legends, featuring my podcast boyfriend, Jason Weiser. (Shhh! Jason doesn’t know he’s my podcast boyfriend. Neither does his wife.) Not only do I enjoy Jason’s calm, soothing voice and his snarky-funny comments (he holds nothing back when he talks about The Little Mermaid), but the stories from around the world are fun to listen to. Sometimes when I’m stressed out, I put the volume of my phone down low, start this program playing, and let Jason’s tranquil voice comfort me all night.

Here’s what Myths and Legends has to say for itself:

This is a weekly podcast telling legendary stories as closely to the originals as possible. Some are incredibly popular stories you think you know, but with surprising origins. Others are stories that might be new to you, but are definitely worth a listen.

That’s what I’m listening to these days, when I’m not listening to music. I hope these suggestion inspire my readers to listen to some new, educational podcasts. Feel free to leave a comment about your favorite podcast.

Bigger Hats

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The weather’s getting cooler, and it might be time to think of a warm winter hat.

Before I left the mountain, I took out the largest of the looms I work with and made some bigger hats.

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If you think my other hats might be too small for you, or if you have a lot of hair to pull a hat over, any of the hats pictured in this post might be for you.

Any of the hats shown here are available for $13, including shipping. All of the hats are made with my own two hands and have a rolled edge.

If you don’t like these hats or think they might be too big for your head, you can click on “Hats I’ve Made (For Sale)” to see what else is available, or send me an email message.

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Me and My Uncles

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My dad was dead, and I was hurriedly planning a trip to the Deep South.

Do you think Uncle Duckie will be there? I asked my sibling.

I hadn’t even thought of him, was the reply. I don’t want to see him.

Neither did I.

However, when I spoke to my aunt, I found out Duckie had been by my father’s side in the days leading to his death. He’d been helping my dad’s wife with arrangements. Hell yes he was going to be there. We’d certainly see him.

My dad had three brothers.

Stewart, the oldest, was stillborn or died very soon after birth. He was never counted when we spoke of my dad’s siblings, however. Apparently a baby who died so soon was barely part of the family. I only wondered about this as an adult. Was this loss of her first child what made my grandmother so mean, or had that happened long before she was a grieving mother? Did her fear of losing another baby cause her to throw up walls around her heart when dealing with her other kids? Grandma has been dead for over a decade, and I’ll never know her truth.

The oldest child to grow up in my dad’s familty is Uncle Ronnie . He was a career military man. My father often characterized him as so smart, he’s stupid. He’s in his 80s now, and, I discovered at my dad’s memorial service, as deaf as a post.

Uncle Duckie is next in the line of children birthed by my paternal grandmother. He’s been a sleezeball and a racist and a pervert as long as I’ve known him. I grew up hearing stories of how my grandmother beat him. Well, she beat all her kids, but particularly Duckie. At least once, my grandfather had to intervene because he was afraid she was going to kill the boy, who was a toddler at the time. He says he still has the scars. I don’t doubt it.

There was one girl child in the family, born a couple of years before my father, who was the baby.

No one expects to lose their youngest sibling first. He cut in line, my aunt said.

The only material possession of my fathers I could contemplate wanting was a ring that had belonged to his father, the grandfather who died before I was born. One of us should have that ring, I wrote to my sibling as we made plans to travel to the homeland. My sibling thought the ring should go to my dad’s only grandchild, and I readily agreed. I didn’t need the ring, but I wanted it to stay with someone who had a tie to it, someone who’d appreciate it.

When my sibling and I arrived at my dad’s house the night before his memorial service, his wife had a handwritten when-I-die letter he’d composed several years ago. In the letter he said he wanted his grandchild to have the ring.

Duckie asked me for the ring, my dad’s wife told us, and I told him yes, but that was before I found this letter. She said she would tell Duckie my dad wanted the ring to go to the grandchild. It was my dad’s last will and testament, after all.

Later, when we got in the car, my sibling said, Can we talk for a minute about that motherfucker Duckie trying to get the ring?

I allowed how since our grandfather, the original owner of the ring, was Duckie’s dad too, I could understand he would want it. However, you could have let my dad be dead a week before he started asking for family heirlooms.

The next day, when we pulled up in the driveway of my dad’s house, Duckie was standing outside.

There he is, I said.

Time hasn’t been kind to Duckie. He looks like an old version of Gonzo from the Muppets. What am I talking about? Duckie is literally 80 years old. It would be weird if he didn’t look old, but his nose…Gonzo. I’m not kidding.

As my sibling would be the one to deliver the ring to the grandchild, I said before we got out of the car, Be sure you get the ring before we leave. I didn’t want Duckie weaseling it into his possession at some later date.

My dad’s wife broached the subject of the ring before my sibling or I could bring it up. She summoned us to the room with the closet housing my dad’s safe.

Did you tell Duckie he wasn’t getting the ring? I asked.

She said she had.

What did he say? I asked.

He didn’t say nothing, she said with her Tennessee twang. He wasn’t happy. I could tell by his face. But he didn’t say nothing.

Conflict averted. Thanks for putting it in writing, Dad.

I didn’t see Uncle Ronnie until he arrived at the church for the memorial service. He looked good. He looked younger than either my dad or Duckie. If I hadn’t known better, I would have guessed his age as early 60s, not his real 80+ years. However, as soon as he started talking embarrassingly loudly, I knew his hearing was gone.

He told my sibling, I don’t hear women’s voices.

Maybe he has high-frequency hearing loss, making it literally more difficult for him hear female speech (http://www.hearatlanta.com/inability-to-hear-womens-voices-is-a-symptom-of-high-frequency-hearing-loss/), but I had to wonder when he was ever in the habit of listening to what women had to say.

Although he was sitting in the pew behind me, I clearly heard Ronnie tell Duckie how he had basically raised my father. My grandmother wasn’t there to refute the statement.

Ronnie then told Duckie our ancestors were royalty and there’s a castle with our name on it back in the old country. It seems a bit strange to keep such information a secret for all these years, but I suppose Ronnie has his reasons. (I suspect one reason it that this royalty and castle idea is a figment of Ronnie’s imagination, as are the alien abductions he tried to tell us about later.)

Then Ronnie approached me.

You’re the oldest, he announced loudly enough for most everyone in the church to hear.

When your daddy changed his religion, he continued, he gave me his Bible. Would you like to have it?

Oh, no, you should keep it, I said brightly but quietly.

Good, he said loudly. We’ll exchange addresses and I’ll send it to you.

I guess he couldn’t hear my woman’s voice.

Before the night was over, Duckie had invited a married fundamentalist Christian woman from my dad’s church to sit in his lap. When someone asked him if his 54 year-old niece was his wife, he said, I wish! while sitting right next to his actual wife of five decades.

When one of the people from my dad’s church asked Ronnie something about his wife, he responded for all to hear, We’ve been married 57 years. We’ve tried everything!

Later he tried to give me a bed built by one of our ancestors soon after his arrival in the New World. Ronnie has not only the bed, but a list of everyone born in it. Apparently, I am the only one of my cousins qualified to own the bed because since I’ve never married, I still carry the family name. When Ronnie mentioned offering the bed to a museum, I enthusiastically endorsed that idea. I’m sure there is no room in my van for an ancestral bed.

And then it was done. My dad was dead, and his memorial service was over. I’d never have to see those men again, dead or alive.

 

 

 

 

 

Quackers

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Quackers is yet another sculpture in the permanent collection in downtown Mesa, AZ. It is located next to a large fountain near the northwest corner of Main and Center streets. (You can learn more about all of the sculptures in  Downtown Mesa’s Permanent Sculpture Collection by looking at the brochure for the self-guided tour.

img_5855Mike Dwyer of Loveland, CO created this bronze piece. According to Dwyer’s website,

Mike was inspired to sculpt “Quackers” around his two year old son Nathan and his love of feeding the ducks at the local park. Nathan would hold on to crackers or bread and try to get the ducks to come in as close as possible.

This was Mike’s first sculpture of a child. He used real measurements from Nathan, even going in with his calipers and measuring ears nose and extremities while Nathan was napping. He also took many pictures of the active, small boy in many different poses.

According to the Waymarking website,

The sculpture was purchased through the City of Mesa’s Permanent Sculpture Panel and was dedicated img_5856in April 2004.

I think this is a really cute piece of art. How can Mesa go wrong with a little kid feeding ducks? What I really want to know is how the city keeps people out of that fountain in the summer.

I took the photos in this post.

Book Review: Chainbreaker Bike Book

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[amazon template=image&asin=B012HTVMLM] Long, long ago, in what amounts to a past life, I was a contributor to a review blog. We mostly reviewed books, but sometimes we took on music and movies and products too. The reviewers were all women, and we thought and critiqued and wrote from a feminist perspective. Today I’m sharing one of the reviews I wrote for the blog. The book in question is The Chainbreaker Bike Book: A Rough Guide to Bicycle Maintenance by Shelley Lynn Jackson and Ethan Clark. (The image to the left is connected to my Amazon affiliate link. If you click on it to shop, I will receive a commission from your purchases.)

This “rough guide to bicycle maintenance” is really two books in one.

The first half is a bike repair manual, with which the authors strive to “serve many people, from the very beginner to a decent mechanic who just likes to geek out…” I found the how-to instructions accessible, written in a way that is easy to understand, not in “high tech or cool dude language.” Although both authors have been professional bike mechanics and stalwart volunteers at the New Orleans Community Bike Project, they come across as real people who just want to help other real people repair and maintain bicycles—no bike snobs here!

The illustrations—by Ethan, Shelley, and Happy, the title page proclaims—are really awesome. They are simple but informative, slightly cartoonish, but factual. For folks who need to know what different styles of bikes or different kinds of tools look like, there are pictures here to help. There are also drawings to assist with adjusting breaks, truing wheels, and replacing cables, as well as other repair and maintenance projects.

The manual ends with two appendices. The first is a directory of community bike programs in the United States and abroad, followed by a helpful glossary of bike terms.

The second half of the book consists of reprints from past issues of the Chainbreaker zine. Shelley Lynn Jackson edited and self-published Chainbreaker from 2001-2005, but was unable to continue after losing her typewriter, clip art, desk, drawing supplies, and home to flooding following Hurricane Katrina. Lucky for readers, she was able to collect some of her favorite parts of the old zines in this compilation.

Shelley’s excitement about bicycles shows in the articles she wrote and collected for her zine. In her introduction to the very first issue of Chainbreaker, in a love letter to bikes aptly called “For the Love of a Bicycle,” she details all that bikes have to offer. “…[T]he bicycle shows a person that their [sic] are options, that there are other ways of living, new horizons undiscovered.” Romantic? Yes. True? Definitely.

Chainbreaker contains not only Shelley’s voice, but includes the art and writing of other folks too. There are instructions for making a bike tube belt from Spitshine the Eye zine, directions for constructing bucket paniers [sic] from Joe Biel of Microcosm Publishing, and art and words from long time zinester Icky Apparatus. Andalusia contributes an account of volunteering at Maya Pedal, a bicycle-recycling center in Guatemala, and Happy explains bicycle delivery New Orleans style. Co-author Ethan Clark has participated in the project from nearly the beginning as a contributor of stories and images to the zine.

This bike repair manual doesn’t just show how to fix things; it provides a lot of encouragement and inspiration as well. Shelley gives several pep talks to women throughout the book, cheering us on to…”stand up and be heard…get to know the tools and language…ask questions and look for guidance, but look to your own sense of logic as well.” That’s good advice, not just for bike repair, but for everything we do in life.

The Women’s Building

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One of my favorite places in San Francisco’s Mission District is The Women’s Building (known in Spanish as Edificio de Mujeres). I love its bright colors. I love the mural painted upon it showing strong and talented women from a variety of cultures. I love that it’s a community center owned by women.

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I don’t remember if I visited The Women’s Building on my first trip to San Francisco or if I discovered it later. I do know I was glad to see it down 18th Street on the recent autumn morning I explored Valencia Street.  (The Women’s Building is located at 3543 18th Street.) After eating a delicious vegetarian burrito at Taqueria El Buen Sabor (699 Valencia Street), I strolled over to The Women’s Building. img_7302

According to http://womensbuilding.org/about/mission-history/,

In 1971, a group of visionary women founded San Francisco’s Women’s Centers to incubate emerging Bay Area women’s projects. Having outgrown their tiny office on Brady Street, the group bought Dovre Hall in 1979, a former Sons of Norway meeting hall and neighborhood bar. The women transformed the four-story building into the first woman-owned and operated community center in the country: The Women’s Building.

Fifteen years later in 1984, seven muralists created one of the largest murals in San Francisco: MaestraPeace Mural. This magnificent piece of public art, which covers two sides of our building and reaches five stories high, depicts the power and contributions of women throughout history and the world.

img_7299In 1999, TWB underwent an extensive renovation and seismic retrofitting, reopening in September 2000.

The Women’s Building is a women-led community space that advocates self-determination, gender equality and social justice.

Each year we welcome over 25,000 women and their families, connecting them with social services, community involvement opportunities, the arts, wellness and educational events.

According to https://en.wikipedia.org/wiki/The_Women%27s_Building,

The structure was built in 1910 and was originally known as Turn Hall because it was part of the Turnverein exercise movement.[2]

In the first year of operation, the Women’s Building was targeted by two attacks: an arson fire that caused $50,000 worth of damage,[4] and a pipe bomb set off on the front steps of the building.[5]

In 1997, the Women’s Building underwent a major renovation prompted by mandatory seismic img_7301retrofitting. In the course of that effort, it evicted the Dovre Club, a bar that had been in the corner of the building on 18th and Lapidge Streets since 1979.[6] The original owner of that bar had an oral agreement with the Women’s Center that the bar could stay in place during his lifetime; after his death in 1997, the bar made an effort to stay in place but ultimately relocated.[4]

I think if I lived in San Francisco, I would utilize the services offered in The Women’s Building. However, since I’m only a visitor, what I like best about the building is the mural.

The Women’s Building website (http://womensbuilding.org/the-mural/) says,

MaestraPeace Mural was painted in 1994 by a “Who’s Who” of Bay Area muralists: Juana Alicia, Miranda Bergman, Edythe Boone, Susan Kelk Cervantes, Meera Desai, img_7306Yvonne Littleton and Irene Perez.

One of San Francisco’s largest and best known murals, MaestraPeace and serves as a visual testament to the courageous contributions of women through time and around the world.

The mural was fully cleaned and restored in 2012 by the original muralists with the assistance of a new generation of muralistas.

Wikipedia, on the aforementioned website, adds,

the mural… covers both the outside of The Women’s Building as well as the interior entrance hall and stairway.[7] It features images of feminine icons from history and fiction, and the names of more than 600 women written in calligraphy.[8] img_7309

I spent most of my visit to The Women’s Building trying to get decent photos of the fabulous mural. It wasn’t easy for me to capture such large expanses of wall with my little digital camera. To get a much better idea of how stunning the mural is, check out The Women’s Building website, or, even better, take a trip to San Francisco and see it in person.

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I took this photo of the front of The Women’s Building while standing across 18th Street.

I took all of the photos in this post.

 

Street Art in The Mission

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An important question, written directly onto the sidewalk. What’s your answer?

I spent a few days in the Mission District of San Francisco this fall.

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Stencil art I encountered in one of the mural alleys.

According to https://en.wikipedia.org/wiki/Mission_District,_San_Francisco,

The Mission District, also commonly called “The Mission”, is a neighborhood in San Francisco, California, United States, originally known as “the Mission lands”[4] meaning the lands belonging to the sixth Alta California mission, Mission San Francisco de Asis. This mission, San Francisco’s oldest standing building, is located in the northwest area of the neighborhood.

I did a lot of walking between 16th and 24th streets and Guerroero Street and South Van Ness Avenue. Mostly I was looking at murals, but I was also enjoying the hustle and bustle of big city life. It had been a long time since I’d been around so many people and been able to do such intense people watching.

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Stencil art I encountered in one of the mural alleys.

There are murals all over the place in The Mission. I took a lot of photos of a lot of murals, planning to do a lot of blog posts featuring the often political art. Alas, while I was researching the murals, I found a disclaimer on the Balmy Alley murals page (http://www.balmyalley.com/Murals.html):

Please remember that murals are copyrighted works of art. Photographs are for your personal enjoyment only. Any photos OR video taken of copyrighted murals for the purpose of reproduction (including t-shirts, album covers, web sites, guide books, music videos, commercials, etc) can only be used with written permission from the muralist(s).

I’ve contacted the community-based mural arts organization, Precita Eyes Muralists Association, to get permission to use my photos of murals in my blog posts. Before they will grant me any permission, I have to complete a multi-page form. Completing the form is on my list of things to do, but I haven’t been able to get to it yet. There will be no photos of the murals of Mission District alleys for my readers for a while.

In the meantime, I will share some of the examples of street art I encountered while I was exploring the neighborhood.

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Mushroom drawn directly onto the sidewalk, on Mission Street, I think.

The artrepublic website (http://www.artrepublic.com/art_terms/39-street-art-html/) defines street art as

Street art is any art developed in public spaces. The term can include traditional graffiti art work, as well as, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, flash mobbing and street installations.

Whereas traditional graffiti artists have primarily used free-hand aerosol paints to produce their works with ‘tagging’ and text-based subject, street art encompasses many other media, techniques and subject matter including: LED art, mosaic tiling, murals, stencil art, sticker art, street installations, wheatpasting, woodblocking, video projection, and yarn bombing.

(For a cool list of Top 10 Types of Street Arts, go here: http://listdose.co/top-10-types-of-street-arts/.)

Some people wonder if there is any difference between street art and graffiti. The Herron School of  Art and Design (http://www.herron.iupui.edu/blog/06042012/street-art-vs-graffiti) says,

Graffiti limits an individual to what he or she can do with a spray can, on the spot. Street art, on the img_7250other hand, while employing some of the application techniques of graffiti, often involves a finished product that is ready-made and brought to the location -think stickers, wheat paste prints, and stencils.

Street art and graffiti are both powerful forms of public art that use visually striking, bold images and metaphors to convey a message. And in both cases, artists are risking legal punishment for spreading these messages.

Most of the art pieces I saw were created from stencils and spray paint. According to https://en.wikipedia.org/wiki/Stencil_graffiti,

Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.

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I think these fish were created using multiple stencils.

The process of stenciling involves applying paint across a stencil to form an image on a surface below. Sometimes multiple layers of stencils are used on the same image to add colours or create the illusion of depth.

My favorite part of street art is the DIY (Do-It-Yourself) ethic. Street artists don’t need a museum or a gallery or an agent or a patron. Street artists just need their art supplies and an empty patch of sidewalk or wall.

I also appreciate encountering street art for free, while I’m out and about. I don’t have to pay admission to a museum; the whole neighborhood is a museum for a street art aficionado.

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Turtles swim across a white wall.

Folks who want to learn how to cut a stencil or to connect with stencil, street, and graffiti artists should check out the Stencil Revolution website (http://www.stencilrevolution.com/). To see examples of street art from around the world, go to the Street Art Utopia website (http://www.streetartutopia.com/).

I took all the photos in this post.